Showing posts with label craft. Show all posts
Showing posts with label craft. Show all posts

Monday, July 11, 2016

Backbone


Anatomy and physiology of animals Regions of a vertebral column.jpg


Houses have "feels" to them, just like any well-trafficked space for humans that spans many years. One might even say that these living spaces become permeated with the psychic energy from so many people who lived in them over the years, serving as a beacon for those who come after them, whether or not we know the history of these places. Such was the case with me, certainly; I noticed the beautiful Queen Anne here in town every time I walked past it, on the long walk from my mother's apartment to the local library, in country miles and any type of weather, because such is the measure of my devotion to you, my loving audience. It's what I trained for.

But, that didn't make it any easier. If I was sick—like I was my first year back in Rockland, lying on a thin pull-out chair that served as my bed on the cold floor of my mother's spare second room that she denies as such, to obscure the real reason for exclusions, which is her psychotic temperament—I still had only me to pull through anything, any time of year. So, when I found out that a really large studio was "to let" in the old house on the cheap, guided by the forcefully abusive hands of my mother and father who still gang up on people together when it occasionally serves both of their needs, it wasn't a surprise to me that the space called to me with a variety of energies.

A nice boy I grew up with—who cleaned my rugs for me, continuing the trade that his family established up here many years ago, in a reference and number given to me by my mother to better facilitate the quickness of my move—noted the exact same thing: "Hey, my friend used to live here years ago!" No way! It wasn't a surprise to me. Rockland is that small a place to live. Cool! I showed him a few of the key features that dated the place, like the original flue made in the 1800s by an iron worker from the city. The local librarian who's also a history buff told me an account that backed it up roughly to the letter, though I figured Dutch in there as an early ethnicity.

He said that the old house was designed as a showpiece for a German-American fire insurer from the city who hired fancy artisans that he paid to come up by train, to complete the impressive house. And that matched with what I found in the makers mark imprinted within the iron on the flue. Who knew insurance was such a lucrative business? But then, it occurred to me that structures were very prone to fire years ago, being made of wood and all. Another local told me at the library that her husband was descended from an Italian painter called Niccolini, who made a living painting big fires for just such a purpose, on a hill overlooking the burning structures, to record the event with a supposed deft accuracy. Huh.

His son-in-law, a chiropractor, moved into the big house after his daughter married, another dubious trade that has never won legitimacy from the authentic medical establishment that honors their Hippocratic Oaths solemnly made and upheld, like a lawyer pledging the truth with his clients while swearing on a stack of Bibles. While I have loved the house before I moved in, as a passer-by who can appreciate the finer details of historical architectural constructions, like the decorative wooden cut-outs that look like the spines of a backbone from certain angles that buttress the beautiful old house, the apartment around the bend of the big porch attracted something much less savory.

My neighbor told me the police had to batter down the front door during a violent domestic dispute he finally called the police on, and that was before the sick woman who left feet first this past year in a body bag, because after years of public drunkenness and drug use, she finally succeeded in committing the suicide that she'd loudly proclaim to anyone who'd listen. It was quite different from my side of the house, but similar to my neighbor's predicament with the previous couple years prior: we'd both reached out to prevent harm from happening to other people, and we were both still here, like the backbone carved out of wood by an artist far better than the man who hired him to do such crafty work. Such is the power of a much mightier spirit.


Wednesday, January 27, 2016

Grammar Nazi


https://upload.wikimedia.org/wikipedia/commons/7/71/Judas_Bible2.jpg
The "Judas" Bible in St Mary's Church, Totnes, Devon, UK. This is a copy of the second folio edition of the Authorized Version, printed by Robert Barker, Printer to King James I, in 1613, and given to the church for the use of the Mayor of Totnes. This edition is known as the "Judas" Bible because in Matthew c26 v36 "Judas" appears instead of "Jesus". In this copy the mistake (in red circle) is corrected with a slip of paper pasted over the misprint.[1]"Judas Bible2" by Etan J. Tal - Own work. Licensed under CC BY-SA 3.0 via Commons.

It takes all kinds of people to publish the books that we cherish and pass on to our loved ones, including the good, bad, ugly, and indifferent. I've cataloged all the types I could into my brain as I went about my career, full as it is with the facts needed to produce the most complex yet beautifully simple objects humans make. I was there slugging it out in other people's offices, over other people's problems, because I loved it, which was greeted with the necessary amount of derision intended by someone who just realized that they fucked up by assuming all the real book people of the world were gone. Not so.

In recognition of actual genius, even when it was undetected by the unwashed mousy messes I was often forced to work alongside of (and in the process, often giving them a free education that's priceless just to do my job), I amassed quite an impressive head count. At the end of my tenure working under the guise of various "bosses", and when it became blatantly obvious to an entire industry worldwide that I could outwork even the clever rich white "dons" of Oxford U. in an unbeatable quick time (creating a new record, too: took me only a few scant weeks to supposedly upset the "board" and other "shareholders" who were "in charge of covers", which I found out by sweeping right over the head of their favored pet du jour, a pathetic sell-out of a "Creative Director" who allowed herself to be shipped overseas at their back-and-call whenever they felt like it, by pandering to their lily-white asses through her social media to reflect exactly what they wanted to hear, which isn't exactly like setting the world on fire with originality, but I digress), my fellow co-workers took a devilish glee in recording my "head counts" of those fallen comrades who had unfortunately tried to sell their souls to a bunch of real intellectuals who didn't need them, plush as we were (are) with actual credentials and experience.

Actual know-how is a frightening thing when you have no fucking idea about what you're actually doing, much less caring about it, because as every really dedicated teacher has already found out, it takes a hell of a lot more than a pittance of a salary to become your devoted servant. The gap where your overblown salary sits is filled with our genuine heart, and that's not something you can fake on a mere teacher's salary. Just ask any faithful publishing professional. It's enough to make you blanch white, and what rough sport it is, too.

And so, when I met those adoring fans of mine (sometimes unwashed, because a lack of soap doesn't discriminate between good or bad either) in your office spaces who followed my every move over the company's Ethernet network, or cheered aloud when I pushed through another great cover that was in danger of rejection out of spite, sabotage, or corruption, I felt it, even when I knew my crew of production editors who dared to sail with me on one of my last voyages asea* while awash in ill-gotten money, were doomed to repeat themselves because such is the nature of their gifts: harnessing their fretful compulsiveness in the typo-free artwork you all appreciate.


I couldn't do it, but you sure can. Thanks for that. I realize it takes a lot of nerve to man my chair by forcing turf wars over layouts most people will never see, know about, or give two fucks about how long you sweated over it bro, but you made me look good, even when there was no one around who cared enough to know quality work when they see it. I do. Thanks, D'avi. You're a beautifully crazy kid, man, and I could do with a little less stalking, okay? Now get to work! You have a lot of it to do, you petty-ass motherfucker. Just keep your little turf wars off my fucking margins....ya fuck. I'll see you in "Merry Olde Englande"**. You'll be the so-and-so holding the white gloves.
 
For the production staff at OUP/USA: it was a hell of a ride, wasn't it?



Thursday, July 16, 2015

Seagrass


basket-weaving-family-620.jpg
Kimberly is a sixth-generation weaver. And Lynette's granddaughter, Allisse -- they hope -- will be a seventh.

We've seen it countless times in the media: why all the fuss over this white rapper, or that jazz violinist from Harvard who paid for the privilege of playing at Carnegie Hall? What gives? This is equality! Or is it? 

I think you know it isn't, but if you want to feign ignorance, you'll know for sure after I finish this piece, because we all know cultural misappropriation* when we see it, hear it, or sell it. That cultural artifact IS NOT yours to have by birthright, and you know it isn't. 

When you borrow from someone's past without asking them for permission, or give them written consent, or at least do them the courtesy of paying what is often a small fee for their people's story, 
you rip them off again, which is why almost every ethnic minority on the planet still suffers from the ravages of poverty....because that's exactly the intended effect. Played the white man's game to win? Cool! 

Just don't look back, or lift up those who came first through recognition of their collective gifts, because that would make you honest in a very sneaky, nasty, dishonest, loathsome game. White girl from South Africa (and other empire-building African-Americans), you know who the fuck I mean. Kid, you keep rockin' to it, because that's all you, your background, and your life. You can't quit legit, can you? No, you can't. We have more than seven generations of strength. 

Welcome to today's assignment, class:


 
 
* https://en.wikipedia.org/wiki/Cultural_appropriation


Wednesday, July 8, 2015

The Suit Makes the Man


http://tinyurl.com/oz4a9vy

"Flava" comes in all shapes, sizes, shades, cuts, and styles. You can't pin it down like a fine fabric, but you know it when you got it, and when you got it, flaunt it. Hard. Some guys don't know how to feather their own nest, and that's okay, too. A great tailor and master suit-maker will make you feel like a million bucks, at a much better price. Don't believe me, kid? That's fine. 

Go find out for yourself, and see if you don't feel better with your waist tucked in and your shoulders lined up just right. Then, you'll say what they all say to me, one way or another, on some day soon, or way into the future: what does it feel like to always be right? 

To which I say this: it ain't right to be abused and havin' to fight your way to the top (yet again), but the view from here suits me just fine, because like you, I know exactly where I belong. Right up there with you, and nowadays the feelin' is fine, my friend. 

Enjoy the good life that's sweet, just like we do, ami. There ain't no betta gift than being the best you there is, the "you" you were always meant to be. Give the gift of your own self back to yourself. Go on. Shine!



Thursday, November 20, 2014

Sting Ray!

Sting Ray in the sun.

If this car doesn't conjure up "Mad Men" type associations, like excellent James Bond movie getaways and hip, swingin' jazz tunes, you ain't alive. Feelin' it, and feeling groovy about it: that's diggin' classic cars in a hugely serious way, kids. 

P.S. - The paint set on this ride is so iridescent, it's like there's small, glowing points of starlight mixed into blue finish: a real tight job that only shows it's true colors up close and personal, master craftsman-like. Yeah, baby!

Thursday, April 24, 2014

Reel Life: A Sensei's Vampire Senses

In order to become a master of the arts, one must succumb to it wholly and completely. Where there is great love, there can be no half way. Once an art has chosen you, you must follow where it takes you, dedicated to the end. That's the price of great passion; utter devotion, and the sublimation of the self in search of the attainment of mastery. Many a sensei has often said that "in the pursuit of perfection, we attain excellence", and so it goes for the artist in their search. We hone our senses to their human heights, hoping to achieve greatness, and in doing so, we may attain immortality, or what passes for it in our human world, limited as that is by our perceptions.


 
I submit to you for your perusal two such examples of artistry and devotion in cinema, "Jiro Dreams of Sushi" and "Frostbitten": one, the story of a lifelong chef in his noble quest for mastery with his chosen elements through the Art of Sushi, and the other a perfect show about the joys of a well-done horror movie; there's camp, humor, fun, gore, suspense, and irony. Sometimes, there isn't an obvious harmony between the movies I select, but the cognitive dissonance of what appears to be a random selection, that then stitches itself into a matched set before my very eyes, forming connections by what feels to be of its' own will, but is indeed of my making. Everyday magic is the ability of the best human minds to stretch out to reach the edge of it's vast limits through the daily discipline of practice. In doing so, the master vaults way past the average person in abilities, attaining powers of craft that allude the individual incapable of such acts of constancy.  Look, and see.

Tuesday, April 15, 2014

Streetscapes


Building in afternoon light.
I've always enjoyed photographing industrial elements like piping and building ducts, so much so that one fellow art student remarked to me on a road trip, "Look, Marie! Trucks! Quick! Take a picture!", pointing derisively out the car window when I raised my lens to photograph a carrier loaded with cars the next lane over. But I love craftsmanship wherever I see it, in any form, and that point of view forms the basis of my design intellectualism to this day. I come from a working class background as many New Yorkers do, and I can't imagine our lives today without the massive industrial projects and undertakings of our forefathers. It's everywhere we look. After all, my great grandfather not only made metal work for bridges and buildings, he was skilled enough to render The Last Supper entirely out of copper, in a framed piece of art that still hangs in my mother's house. 

Fuse box.
You can't manufacture that kind of history and continuity on demand without passion and heart, not even at the best art school in the world; a place where craft still counts, even back when I attended it as a tower made almost entirely out of ivory. Snobbery is always out of date, no matter the era, because the future will always belong to those of us still willing to get our hands dirty, which includes the mistaken idea that using our hands is somehow a base affair. I hope my former classmate, where ever he wound up, somehow managed to rise above his class-based leanings. It couldn't have been easy to be a Van Zandt, no matter how old and privileged his family name is (was).

Stay classy, people