Showing posts with label New York City. Show all posts
Showing posts with label New York City. Show all posts

Monday, July 11, 2016

Backbone


Anatomy and physiology of animals Regions of a vertebral column.jpg


Houses have "feels" to them, just like any well-trafficked space for humans that spans many years. One might even say that these living spaces become permeated with the psychic energy from so many people who lived in them over the years, serving as a beacon for those who come after them, whether or not we know the history of these places. Such was the case with me, certainly; I noticed the beautiful Queen Anne here in town every time I walked past it, on the long walk from my mother's apartment to the local library, in country miles and any type of weather, because such is the measure of my devotion to you, my loving audience. It's what I trained for.

But, that didn't make it any easier. If I was sicklike I was my first year back in Rockland, lying on a thin pull-out chair that served as my bed on the cold floor of my mother's spare second room that she denies as such, to obscure the real reason for exclusions, which is her psychotic temperamentI still had only me to pull through anything, any time of year. So, when I found out that a really large studio was "to let" in the old house on the cheap, guided by the forcefully abusive hands of my mother and father who still gang up on people together when it occasionally serves both of their needs, it wasn't a surprise to me that the space called to me with a variety of energies.

A nice boy I grew up withwho cleaned my rugs for me, continuing the trade that his family established up here many years ago, in a reference and number given to me by my mother to better facilitate the quickness of my movenoted the exact same thing: "Hey, my friend used to live here years ago!" No way! It wasn't a surprise to me. Rockland is that small a place to live. Cool! I showed him a few of the key features that dated the place, like the original flue made in the 1800s by an iron worker from the city. The local librarian who's also a history buff told me an account that backed it up roughly to the letter, though I figured Dutch in there as an early ethnicity.

He said that the old house was designed as a showpiece for a German-American fire insurer from the city who hired fancy artisans that he paid to come up by train, to complete the impressive house. And that matched with what I found in the makers mark imprinted within the iron on the flue. Who knew insurance was such a lucrative business? But then, it occurred to me that structures were very prone to fire years ago, being made of wood and all. Another local told me at the library that her husband was descended from an Italian painter called Niccolini, who made a living painting big fires for just such a purpose, on a hill overlooking the burning structures, to record the event with a supposed deft accuracy. Huh.

His son-in-law, a chiropractor, moved into the big house after his daughter married, another dubious trade that has never won legitimacy from the authentic medical establishment that honors their Hippocratic Oaths solemnly made and upheld, like a lawyer pledging the truth with his clients while swearing on a stack of Bibles. While I have loved the house before I moved in, as a passer-by who can appreciate the finer details of historical architectural constructions, like the decorative wooden cut-outs that look like the spines of a backbone from certain angles that buttress the beautiful old house, the apartment around the bend of the big porch attracted something much less savory.

My neighbor told me the police had to batter down the front door during a violent domestic dispute he finally called the police on, and that was before the sick woman who left feet first this past year in a body bag, because after years of public drunkenness and drug use, she finally succeeded in committing the suicide that she'd loudly proclaim to anyone who'd listen. It was quite different from my side of the house, but similar to my neighbor's predicament with the previous couple years prior: we'd both reached out to prevent harm from happening to other people, and we were both still here, like the backbone carved out of wood by an artist far better than the man who hired him to do such crafty work. Such is the power of a much mightier spirit.


Friday, July 31, 2015

"We want the airwaves, baby!"

http://i.ytimg.com/vi/p5PQnngPX00/hqdefault.jpg
A bunch of loud-mouth, no-talent "nobodies" from Queens, N.Y.
 
Part of any genuine rebel movement is acquiring attention, sometimes by any means necessary, although the intention is to always have a firmly authoritative foothold on your audience's consciousness, which falls outside of a teenager's general parvenu. It's the main reason that my first outsider culture, punk, had to grow up. Heat, energy, and movement is fast fun, but after awhile, noise just makes your head hurt. Musicians with long legs in the game learned to play their instruments properly, and after my wild excesses of high school and college, I was sick of the stupid drunk parties. Raping frat boys and vomiting girls are not people one aspires to be around as an adult.

And so I moved on from my infamous New York State party school because I had enough, and I was bored with easy classes. It was a mature decision, and it cost me a lot to make it: studio credits well-earned but not accepted in the Ivy League, friends not confident enough to make it on their own without my constant steadying support, plus a boyfriend or two. I considered it (and still do) and great bargain to become educated, because the kids who couldn't follow along with me would be hangers-on, anyway. They'd hate my new life, studies, and interests. 

It opened up parts of my personality they didn't know (or like). My person changed, grew, and adapted, while my old friends peaked, stopped growing, and then just stopped, sometimes living. It made them extremely nervous around me, and they sought to sabotage my new life violently; a new life that was shifting in front of their eyes. 

One friend accused me of having a totally new signature as proof of my extreme changes, though in reality, it was brought on by being constantly busy as an apprentice in publishing (which she then mocked by prank-calling me at work to say that my new house was for nobodies, a sure sign of threatened youth) and my easy adaption to adulthood. My hand continues to develop into a busy-person's scrawl, not unlike the handwriting of a doctor who writes all day long.

Another friend wanted to sabotage my new group of friends by sleeping with a guy who used to date this girl I set him up with at school, then flirting with my boyfriend while he hung about my aunt's place, looking for a life in the city. In any case, I evolved past all of them, which was their great fear: not being able to ride on my coattails any more for the free fun ride.

One of the worst let-downs (though not totally unexpected) was my best friend from high school and SUNY, who decried me as a "sell-out" for my beginning salary of $17,500 a year at St. Martins' Press; a place I could only afford to work and compete with trust fund English Lit majors by using my aunt's place as a crash-pad. She tried to position it as someone who was looking out for my best interest as a children's book artist, though in reality, she wanted an object to show her students in class, to boost her rep as a new teacher.

The RISD girl was even worse. After giving her a place to stay that was huge and practically rent-free, she also chafed about my new learnin' and a-changin' and a-growin', by ripping out some ad from The New Yorker about a therapist specializing in "creative" people who stopped producing, because she couldn't torpedo the new production and design skills I was learning in the city if she didn't have layouts and drawings to look at.

It didn't stop at work or at home, either. Once I reached the coveted Art Department as a Manager who could do business and book design, the claws came out of the bitchy SVA show-pony crowd, which told me (yet again) how threatening I was to them and their system. 

A well-known Creative Director (then, an Art Director on the rise) has never stopped gunning after me. He bragged about setting balls in motion to harness, control, then humiliate, demean, and fire me at work by trying to position me with a lower skill set than the other one trick ponies at the stable. He told me dismissively in front of a group of designers that my name really meant "Secretary", after reading some pop culture book on name meanings (and repeating it often), because I was behind the slick city crowd in desktop publishing skills, but way ahead in life, and art. It was unnerving.

But all the madness I went through was purposeful and driven, though not always clearly defined enough for my competitors. How do I know it worked? You're reading it right now, because I AM THE MEDIA, and I have made it all the way to the top. Put that in your pipe and smoke it, suckas. Shout that from the mountaintops, baby.

http://static1.squarespace.com/static/5055d21c24acbaa64592f3ce/50faef53e4b03d728a6e25b1/50faef53e4b03d728a6e25e0/1358622555777/
"Generation X" by Doug Copeland for St. Martin's Press (© 1990's): produced by Twisne Fan, Marie Doucette, and Curt Alliaume in several consecutive, co-running, differently-colored versions. 


"We Want The Airwaves" 

Nine to five, and five to nine
Ain't gonna take it, it's our time
We want the world, and we want it now
We're gonna take it anyhow

We want the airwaves
We want the airwaves
We want the airwaves, baby
If rock is gonna stay alive

Oh yeah
well alright
Let's rock
tonight
All night

Oh yeah
well alright
Let's rock
tonight
All night

Where's your guts and will to survive
And don't you wanna keep rock 'n' roll music alive
Mr. Programmer, I got my hammer
And I'm gonna smash my, smash my brain!

We want the airwaves
We want the airwaves
We want the airwaves, baby
If rock is gonna stay alive

Oh yeah
well alright
Let's rock
tonight
All night

Oh yeah
well alright
Let's rock
tonight
All night

We want the airwaves airwaves
We want the airwaves airwaves
We want the airwaves airwaves
We want the airwaves airwaves
We want the airwaves, baby 



Wednesday, July 1, 2015

Take it to the bank


http://retroclipart.co/1024/royalty-free-vector-clip-art-of-a-black-and-white-retro-woman-holding-handfuls-of-cash-money-by-bestvector-1994.jpg


Traditional banking is going away for good, and I mean that sincerely. Why put your money in a safe house that's compromised? You don't. Banks were supposed to be the place where your paycheck was protected from the bad guys, but a fortress is only as good as its' security. As recent as two years ago, anyone could deposit money into any type of account, under any name, with no I.D. check. Yeah, that means what you're thinking. Your nice grandma with the fly car also has a grandson who deals drugs, and every week he'd put stinking cash reeking of pot smoke into her account, without anyone doing anything about it.

But that's why criminals worked as "inside men" at banks nationwide: that's where the money is, and that's what robbers steal. The banking industry has become such a magnet for illicit use (Off-shore banking, anyone? Sweden?), that the notoriously criminal firm of Goldman Sachs* recently announced their entrance into the banking game, for rich people only, of course: http://www.businessinsider.com/goldman-chair-writes-anticorruption-letter-2015-2.

I had my own run-in with the old crime syndicate a few years back, one that has its' hooks into every con in town, real estate and the city court systems included. The system temporarily bankrupted me, but not before I made each one of their key players do every financial tap dance there is, because no one messes with me and gets away with it. I am always a native New Yorker, no matter where I go.  

As the world's capital, we've always been a very wealthy area. Commerce was my dinner table conversation growing up, hence the lack of a business school on my curriculum vitae, but you didn't know that about me, did you? No, you didn't. That's because my dad was a greaser who played suckers for pool, one of my granddads' was a bookie during the Depression (in between pony rides), and they both taught me how to shuffle a deck of cards, just in case that junkie in Times Square wanted to shake me down playing "Three Card Monty" back in the day. So, we're back to the beginning, right? Not exactly.

After a corrupt system robbed me of all my pocket change, I was forced to do what I do best: improvise under the gun in the tightest of squeezes, which is exactly what I did. It's called "High Performing" in the circles where strong games are played. I ditched all my accounts, ran on cash, lived off my tax refund with a debit card from a chain tax service, then ditched that debit card the next year for a hard check. 

Of course, the well-known tax service couldn't cash it for me, because they aren't a bank. I knew that already, because I know businesses from the inside-out, and that's exactly what was told back to me: my own answer coming out of some admin's mouth (sorry, I meant "Office Manager"), which is certainly not my first ride around the block.

So, if you think financial calisthenics is the type of bloodsport you can handle, have at it. I know I can do any kind of weird gymnastics the system wants to throw my way. Sick and tired of being played? I got your back.  Read, learn, then do.






Thursday, June 4, 2015

"Oompa Loompa" Orange

I've mentioned before the inherent weirdness of the average urban New York lifestyle, and it's as true today as it ever was. More importantly, we have a human representative from EVERY COUNTRY on the planet within our environs, which (combined with a rigorous training in the arts, humanities, and sciences) pretty much makes you an expert on all things human-related, skin included. What do I mean? Glad you asked! I have a link for that: http://twentytwowords.com/snapshots-of-children-from-every-country-in-the-world-living-in-new-york-city/.

Additional information for the reading-impaired also handily supplied with this pictorial example below that shows natural skin tones as they exist currently on our planet Earth:

http://f.ptcdn.info/896/006/000/1372956936-mainqimg91-o.jpg
http://www.quora.com/How-is-skin-color-determined-in-babies

It's also called strange things like "Genetics" and "Science", so if you want to parent with another human through that ancient ritual of bonding that's "mating", you can have a general idea about basic traits that your children might have. Of course, not all parents care about skin tones, just like some people don't need to know the gender of their baby in utero to have a happy healthy family. So, why do I bring it up? I'm so glad you asked that question, too!

Think of today's post like a P.S.A., or "Public Service Announcement", because me and my friends (I know. We've talked.) are sick and tired of freak-show shit that isn't funny, like the kind of crap you see on scary shows about desperate mentally ill "housewives" off their meds and onto booze, in (once again) a scarily competitive "lesbian cheerleader" type of way; not that there's anything wrong with that, we just want to be perfectly clear about why you (as a human) might disturb us out in the wild.

Because who else but a totally effin' deranged weirdo would ape the skin color of a make-believe, surreal, scary cartoon-type of character from a freaky 70s movie like Willy Wonka and the Chocolate Factory?! Weirdos do: that's who does sh#t like that. Weirdos want to look insane, not normal decent people who bear children because they love kids and their partner, or we want to add value to the world by raising healthy, happy, and well-adjusted children. 

This, as seen below, is definitely not our great inspiration for skin tones (again, with a handily-supplied visual for reference, as seen below):

http://www.inkntan.com/portals/0/Images/no-spray-booth-orange-mystic-tan.png
http://www.inkntan.com/FAQ/Orange-Stigma-Oompa-Loompa.aspx

As a further, deeper layer of investigation and public scrutiny into their crazy subculture (also serving as a "how-to" guide about what to avoid out there in the big scary world), please note they often combine it with their go-to bat-shit hair color of "Unnatural Peroxide-White Blonde" that's straight out of the bottle and far from human, too. 

They've evolved their own particular and often very rigidly defined look through repeated exposure to a daily freaky toxic cocktail of Eating Disorders, weirdo competitiveness over nothing types of guys and/or girls, scripted reality t..v. show appearances, Round-Robin (http://en.wikipedia.org/wiki/Round-robin) stints in rehab/mental health care facilities for their ( INSERT YOUR ADDICTION HERE ) _______________, and mandatory breast enhancement surgery, often also freely electing to undergo many painfully invasive and highly dangerous cosmetic procedures, in a quest to look what they think is acceptably "Shiksa" (http://en.wikipedia.org/wiki/Shiksa) or "Gentile" (http://en.wikipedia.org/wiki/Gentile), which is a really disparaging way to fetishsize goy peoples of the world (http://en.wikipedia.org/wiki/Goy). 

You should know that we are totally on to you, so get the fuck out of our way or we'll eat you for breakfast, hexen. This is our town, too! Also a big "Hey, there!" and loud "HEY, NOW!" shout-out to my Rockland kids from way back when, and all my other 'round-the-way New York types: this one's for all of you who've also just fucking had it, today. I feel for you, so hang in there. I got your back, baby.
 

Thursday, May 7, 2015

Immigrant

http://teacher.scholastic.com/activities/immigration/tour/

Each new generation thinks they have the roughest immigrant story ever. Mass murder? Pshaw! That's nothing! My Chinese Mom caught AIDS and died from your hospitals' bad blood transfusions! That's an actual true story by the way: a Asian bookkeeper I worked with years ago didn't want to believe that my family had any difficulties at all, because I'm "white". She kept repeating how I had a "rent controlled" apartment as an example of my so-called "white privilege", which wasn't actually true at all. I found the listing on Craigslist out of sheer economic need, and it was rent-stabilized when I lived there, which is entirely different than inheriting some fixed rate kind of deal. 

My people don't get those kinds of breaks handed to them, ever. But, true to her ignorance, she shut down when I tried to talk her through a tiny (and easily accessible) fraction of my actual family roots. I gave her a brief bit about my maternal New York story; a simple-to-follow story about Italian and Irish immigrants that's easily looked up online or at Ellis Island's interactive computer. Just type in "M-E-R-C-A-D-A-N-T-E" liked I did in five seconds, for my great-grandmother's passage to America. She sputtered and stumbled over that, but's typical for a generic office environment filled with strangers. I may be Ivy, but she sure as fuck isn't, except she doesn't know how many levels my people passed on the way up to get there, because she thinks she's had it tough, and she has. We all have. That's how you become an American. 

If she couldn't handle poor Italian farmers and the Irish potato famine, she sure as fuck can't handle the Acadian genocide, or the innate racism behind the hunting and mass destruction of Metis folk, which is anyone of European and Native American ancestry (GASP! "Mixed" races getting along peacefully!!), which pretty much covers my father's early American Dutch, English, and French Canadian ancestry. I felt bad for her, but not so bad that I didn't remember that my grandmother told me she cried every day for years walking home from school, because people shouted "Guinea!" in her face as a little girl, or that people spit at my grandfather for being a lowly "Mick", as every door in the city slammed itself shut in their faces, when they had to quit school as children of "The Depression" to work in factories to support their entire family.

http://cahiersdufootball.net/blogs/teenage-kicks/files/2015/04/nonono.png
http://cahiersdufootball.net/blogs/teenage-kicks/tag/no-irish-no-blacks-no-dogs/

It was so bad for my grandmother, that she changed her name from "Angelina" to "Ann", pretended to forget all of her native Bari tongue (http://en.wikipedia.org/wiki/Bari_dialect), and removed her kiddie earrings that marked her a "dago"; my mother never got over the stigma behind baby Italian girls with earrings. And so, she has never pierced her ears. I had to go with my friend's British step-mom to the mall at 15, and get it done myself. Or the fact that my great-grandfather never found work again, after refrigeration closed down his job as an Iceman in the city (http://en.wikipedia.org/wiki/Ice_trade), forcing my brilliant grandmother to quit elementary school, which she also cried over for many years, because all she ever wanted was to be a teacher or nurse. That's how much she loved to learn. She also helped him to collect his route's fares by riding up and the dumbwaiters for their fares, as a little girl. But it worked out. She became the MANAGER at her factory job by 20, or something extraordinary like that. I know, because I've seen the old black and white photo of her all dressed up and standing over one of her employees, who sat in a chair beneath her for their work portrait. I'm not even getting to my grandfather's long ConEd experience, or his tours on Vaudeville to earn a buck or for his Brooklyn family, or my Dad's small-time hustles as a shoe shine boy and pool hall player.

I hope you fucking choke on one more true life story from me this weekend, Cindy, as you read these real words about my researched and verified American Immigrant background. It's not some fucking  joke I made up to make you feel bad about yourself, you fucking idiot. You worked against me every single day in that bullshit office, while I worked my ass off overtime (and without pay) to cover all of your fucking asses, because I was the only Designer/Production Artist/Art Director in that fucking company with any real skills to earn us money, so that your fucking family, and your teenage kid's illegitimate kid, could fucking eat, because you're a fucking tourist to me, shithead. Choke on it, and if you don't like our hard times here, or our real life coming-up tales of woe, go the fuck back to Communist China. I'm sure they'll work you hard to kill you off in some forced labor camp, because you're one in a billion to them, and as such, easily expendable. Go fucking choke on it, bitch. That's my fucking Lady Liberty in the harbor.

And a "Happy Mother's Day" to you, as well. Bitch.

http://obsidianwings.blogs.com/.a/6a00d834515c2369e201538f2c8cb3970b-500wi
http://obsidianwings.blogs.com/obsidian_wings/2011/06/the-distance-to-the-past.html

for Ann

Monday, March 31, 2014

Around Town: Bryant Park

I was in town on business recently (and early, as usual), so I took a walk, choosing to go once around Bryant Park, killing time before my appointment, catching the cheerful site of gardeners doing some early springtime gardening. It's such a great time of year. Enjoy the sites!



Thursday, March 20, 2014

The First Day of Spring


Springtime in Stuyvesant Square Park.
Stuyvesant Square Park.
Flowers in bloom, Stuyvesant Square Park.
Clusters of buds like barnacles.

Hello! Welcome to the new season. In celebration, I've put up a series of photos I took in 2013, when I lived (for a brief time) in Stuyvesant Town, a neighborhood in lower Manhattan. It was the first time I'd ever lived in the borough that is officially New York, New York, and as a native New Yorker, I had other surprising (and rare) "firsts", too: I discovered parks, foliage, trees, flowers, plants, and people I hadn't encountered before, as the glorious, gorgeous Spring of last year unfolded before my eyes. Here's to the newness, and yet timelessness, that marks the first signs of Spring. Enjoy!

Saturday, February 8, 2014

Around the Way: The Dessert Carousel


After Wayne Thiebaud

On one wearying and windy freezing day in downtown Brooklyn, when I was in town on some business I'd rather avoid (forever), I took comfort in the cheery pleasure that this diner's dessert carousel promised me after lunch. I didn't have the stomach to partake in it at the time, but part of me wanted order a slice of each beautiful, friendly, puffy pastry that swirled by, for me to enjoy at some later date during happier times, preferably while warm and safe at home over a nice cup of tea.

Thursday, February 6, 2014

Poetry in Motion: Twilight

Bus ride home in twilight.

To the Reader: Twilight

Chase Twichell

Whenever I look
out at the snowy
mountains at this hour
and speak directly
into the ear of the sky,
it’s you I’m thinking of.
You’re like the spirits
the children invent
to inhabit the stuffed horse
and the doll.
I don’t know who hears me.
I don’t know who speaks 
when the horse speaks.

Friday, October 11, 2013

Art: MoMa, Oldenburg, and Other Works


Did you like Mickey Mouse as a kid? OK, I'll ruin that for you.
I was cleaning off my iPhone to make room for the new iOS update, when I found a bunch of old pics from a trip to MoMa (http://en.wikipedia.org/wiki/Museum_of_Modern_Art), back in the Spring. I'd gone to see the infamous painting "The Scream", by Edward Munch (http://mariedoucette.blogspot.com/2013/05/the-scream.html). It sucked. So did this big weird Mickey Mouse flag (totally creepy) and an installation piece by Claes Oldenburg (http://en.wikipedia.org/wiki/Claes_Oldenburg. Useless, and so much time and money spent on it! I'm no snob, and I have a wide range of artistic tastes, but I'll admit I have a bias towards beauty. That's the nature girl in me.

For weird stuff, I'm usually looking for a sense of humor, but all I found in the big dumb Mickey Mouse head installation that I walked through were a bunch of sandwiches made out of clay and stuff, painstakingly recreated for God Knows What, when a real sandwich would have made me so much happier. Not big on the whole tongue-in-cheek hipster rich kid Pop Art scene. I don't get it. Why blow your time and money on this?!

Barbara Kruger and The American Identity. Who the @$ck are you?!
Other works were as powerful as the first time I discovered them, like designer/artist Barbara Kruger (http://en.wikipedia.org/wiki/Barbara_Kruger#Career_in_magazine_design), and her graphic works that take a searing bite out of American Commercialism. Now that's irony I understand because, you know, it actually says something meaningful.

Riffing off type. Cool! I dig it.
Years ago, I did a freelance stint for a museum, and it gave me a keen appreciation for exhibition graphics. The coolest shots I got were abstractions based on wall graphics for various shows. And that's why I design books, I guess.

Oldenburg exhibit wall graphics.

What jazzes you? 

Wednesday, October 9, 2013

Travel: Poetry in Motion

Wait. What the heck does that say?
It's about ripping off tourists. Neat!

On a recent trip to and from the city, I found myself sitting behind a gentlemen with a language book. I couldn't help but read over his shoulder because it was printed in very large print, a book designed for the elderly, which he clearly is. 

The funniest parts were the language lessons themselves, translations of certain key phrases from English to Spanish, like "Does the tourist need a map?", or "I just sold a watch to that tourist." and "Does the tourist need a watch?" Definitely not a native New Yorker. Now I know the next time I visit Old Mexico, just what phrases I need to brush up on....and not to wear a watch. You know, just a case a tourist needs one, too.

Thursday, September 12, 2013

Small Town America: Country Roads


Back road to town.
Bower of branches.
I love old country roads, especially the kind of back roads we have here in the Hudson Valley: winding, curvy tree lined roads, free of traffic, with nothing but a green bower of branches overhead. New York City driving is a thrill of it's own, like something out of a video game; it's fast and stressful and occasionally fun, but real relaxation behind the wheel happens when no one is around to witness it. It's just you, a car, the pavement, and the sky above. That's freedom to many Americans, and small town people know what I mean about the pleasures of an empty rural country road laid out for miles in front of you, without any traffic in front or behind to get into your head.  Relax, and enjoy the ride.

Country road.


Wednesday, September 11, 2013

Sunday Paper


New York, New York.

Years ago I worked for a local paper out west, relocating to Denver because my then-husband was flailing in the Big Apple, and I wanted to help him if I could. I knew I'd always come home, because my ancestors helped built this town, but also because I never felt like I had to run away from here. Anyway, I was young and ready for adventure at points as yet unknown. The day I said goodbye to Manhattan, I went to Rockefeller Center, Tiffany's and St. Patrick's Cathedral. I remember I leaned on the railing that hung over the empty off-season ice rink, and I said softly to myself "I'll be back", and I meant it.

On the day of the 9/11 attack, I watched in mute silent horror as a plane hit a tower in my beloved city, on a huge bank of tv's in The Denver Post's newsroom. An editor alerted us to the news story coming over the wire. Our studio was right next to The Pit, a slew of desks manned by the enormous editorial team. At first we thought it was a small plane blown off course, because that sometimes happens over the windy tempestuous skies of New York. Years ago, a Yankee ball player with a private pilot's license sheared off course over the East River to do just that: slam into a building unintentionally due to high winds over the river. We talked about the plane crash in the design studio, with me as the conversational lead, because I was the only native New Yorker present with city experience.

Then someone came running in to the studio again "Another tower's been hit! Two planes! It's an attack!" He was smiling and excited. We ran into the newsroom to see the second tower burning and in flames. I put my hands up to cover my mouth. Someone next to me said "She's from New York" and from then on it was like a nightmare in slow motion, because that's how slowly I saw the towers crumble and fall. I cried out I think "no no no no!!" but I don't really remember. The next thing I can recall is that I sat at my desk, numb and shaking. There were no "sorries" from my co-workers, no handshakes, no pats on the back, just a group of out of towners silently walking around me. I said (mostly to myself) "You have no idea how many people just died. You have no idea how big those towers are, how many people they hold, the scale of them unless you've been there and seen it for yourself. You just watched thousands of people die, live on television." I remember the newsroom buzzed with the news, with talks of editorial awards already in the works, layouts being hastily made, phones ringing, people running around, high fiving each other.

This kind of break from the norm is the stuff that news programs dream of, and this event was no exception, except for one person there, and that was me. I tried to talk with another employee I knew; he had a smirk on his face about American retribution, some lefty speech about our comeuppance ready to fly off his lips, solid in the comfort that he had an Asian wife at home, smug in his practiced anti-"The Man" stance, so common of the stereotypical liberal media type used to free lunches and union coverage. After I started talking, the smile slowly faded from his eyes, and finally he realized he should have the decency to be embarrassed, looking down at his desk, bowing his head in shame. Back in the design studio, our ineffectual manager (who rode his way to the top slowly and very gradually, by simply being an union employee who never left his first job out of school) tried to console us: "Ok, OK. I know it's upsetting, but lets' try and get back to work." Right. Because I give two fucks about the garden ad that just crossed my desk. I don't think so.

A few months later, The Denver Post and The Rocky Mountain News announced that their competitive practices and union shops had bankrupted both papers. Thanks to a US Constitutional Amendment that preserves Freedom of the Press, both papers would consolidate all departments except the editorial ones under a new company called The Denver Newspaper Agency. They offered employees total contractual buyouts; a year's salary paid upfront and health insurance for six months also paid by them, the result of many hours of union negotiations. Later that day, the VP of Production and Design, a handsome, kind, and intelligent older man I'd always liked, stopped by to tell me that the kind of people who left were the kind of people who knew they would make it; it wasn't the worst people who left first, it was always the best, and then he walked away. I was the first person at The Denver Post to opt out of my contract and take the buy out deal on the table. Within a year, I moved back to Brooklyn, with their money in my pocket.

This story from my life is my gift to you, New York.

Wednesday, August 28, 2013

A Walk in the Park: Playgrounds


 The city in the country.

There's something creepy to me about empty playgrounds. Most of the scariest bully attacks happened to me on playgrounds as a kid. Me and my cousins were surrounded and hassled by a big group of tormentors, on a family visit to their hometown, when our parents urged us out the door to "go out and play". Some fun. I whispered to my cousins to make a run for it at my sign when the older kids were distracted by some other young kids coming to play in "their yard", and they did. Nothing like running for your life, being chased by several very large punk ass kids, jeering and making threats at your heels, to give wings to your feet. Never have I run so fast for so long without getting winded. It remains my example to that very basic question: fight, or flight?

Getaway ride? I think not.

Me? I'm a fighter. I stand my ground. But my younger cousins from upstate would never had made it out alive using their fists with these toughs from the city,  who came with the flight families made to what they thought harbored safer grounds in the suburbs. See that empty horsey ride? Yeah, I don't like the looks of it either. What do some things remind you about childhood? Night lights, for a fear of the dark? Open closets, to foil those horrible nightmarish monsters? Tell me. Mommy understands.

Fly away home.

Tuesday, August 27, 2013

Around the Way: Bye, Bye Brooklyn


Cool like that.
My stuff may still live in Brooklyn, but I've moved on. This was the view from the back of a storage building, and I couldn't help but find it representing that Brooklyn flavor: the neon Kentile sign that many a weary subway commuter has looked at from their window seat, wishing they were already home. It was a great home to me, and I'll always remember my time there: funky, fabulous, freshness.  
Brooklyn rocks the house. Always.

Down like that.
Nature lovers, my blog made the news again on Nature Daily. Check it out, yo: http://paper.li/GoodBlogPosts2/1309689915.

Monday, August 12, 2013

Street Art: Sticker Faces


Pearl River Bus Stop: Face 1.
Sometimes you gotta do what you gotta do waiting for the slow country bus going to the city (http://mariedoucette.blogspot.com/2013/05/around-town-hitchin-ride.html). 

Pearl River Bus Stop: Face 2.

These artists had the right idea: let's make funny faces from post office labels and stick 'em up for other people to see. It gets you through the tough times. What do you do when you're impatient?

Thursday, August 1, 2013

Gardens and Green Walls: Landscape Design


Landscaped garden in Pearl River, NY.

There are many aspects to country life I enjoy, and access to beautiful landscapes is definitely one of the finer things in life. A sense about natural beauty has informed every major aesthetic I have as an artist and designer. I couldn't imagine my work without them as influences, so high do I hold them up on my list.


I've spent time gardening as a kid, helping my mom with her vegetable garden, and sporadically as an adult, growing herbs in a small backyard space, and it gives you an enormous sense of accomplishment to grow your own food. I've read a saying recently that said it's like growing your own money, and that's true. It is a freedom.


Beyond the undeniably practicality of a kitchen garden, a lush space enhances the home and surroundings in every way. A lovely garden enriches your soul, making you feel good. There's a reason we turn to nature for solace and inspiration: they form the center of every great abbey that's been built, so closely do we tie it to our spiritual health.


I can't imagine New York City without it's great cultural institutions of parks and public gardens, because they serve as essential counterpoints to all that human (and fallible) construction. Even when there's artifice behind the design, the benefits of breathing cleaner air is incalculable to our physical health. Make sure to spend some time outdoors this week, if you can. You'll be the better for it.

See my board on Pinterest for more gardens and green spaces:http://pinterest.com/mariedoucette/gardens-and-green-walls/