Strip Mall Cemetery

A liquor store parking lot, and a journey back through time.

I've noticed this lot ever since I moved back up to Rockland County, after many years away. Last winter, I began walking to town, first from my mother's place, then closer to town on my own. It's a little cemetery squeezed in between two shopping lots, a place of history that pops out in contrast to the bland surroundings. But the headstones weren't the only thing that attracted my notice. A lot of loud-mouthed, raucous crows squawked at me whenever I walked to the grocery store, cutting across one parking lot to the next.

Who are they?

I'm no stranger to the bird of my Corvus line, an ancestry of Norman, French Swiss, and Irish, who take their heraldic symbol from the large black crow. Whenever I cawed back at them, they answered me every single time, being the excellent and highly intelligent mimics that they are. The names on the stones read Bogert (http://books.google.com/books?id=WdwNExWb7_QC&pg=PA42&lpg=PA42&dq=Jan+Bogert+New+York&source=bl&ots=aNFCMqTdtM&sig=5YRC7DNAO9ON14cu-meztwUv8nw&hl=en&sa=X&ei=6FNBVMi-LajlsATNs4Eo&ved=0CEYQ6AEwCA#v=onepage&q=Jan%20Bogert%20New%20York&f=fals), a family that I thought could be remnants of the old French Huguenots who sailed down the Hudson from Canada, looking for lumber and good farming, which is something this river valley has always had in abundance.

A historical marker: hidden, but also in plain sight.

Since then, I've read excerpts about the Bogerts (www.mytrees.com/ancestry/New-York/Died-1707/Bo/Bogert-family/Jan-Bogert-an001161-302.html), a prominent New York Dutch family who changed their name immediately upon arrival in New Amsterdam, when they began buying land in large parcels. 

A noisy family of crows circled overhead, whenever I came near.

And just like so much in my life, a seemingly random gaggle of circling, noisy black birds led me back in time to a place of big mythological significance to me, because not only am I heir to the oldest Métis (http://en.wikipedia.org/wiki/M%C3%A9tis) and Acadian roots of this New World, but I am also a descendant of the very first Dutch and British families, too.

Cemetery in wintertime.

Such is the nature of inheritance, in this Autumn time when the old spirits and the new mingle in the air over cemeteries from times long past, beckoning to me again and again, by no mere accident or quirk of chance. That's the power of fate.

Ah, yes. This is no accident or random event.

When our local historian, who is also one of our librarians, told me that the old Bogert farm was near a large well and the encampments of two Indian tribes, I had to smile because deep down, I already knew it. I felt it in my bones, just as the crows called it out to me showily, heralding aloud that I had arrived safely home, from travels near and far, surviving adventures both small and frightful, big and powerful, dangerous and heady, just like my ancestors had.  I'm back, and I'm ready to share my story with all of you. 

Marker I.

Marker II.

Streetscapes

Building in afternoon light.

I've always enjoyed photographing industrial elements like piping and building ducts, so much so that one fellow art student remarked to me on a road trip, "Look, Marie! Trucks! Quick! Take a picture!", pointing derisively out the car window when I raised my lens to photograph a carrier loaded with cars the next lane over. But I love craftsmanship wherever I see it, in any form, and that point of view forms the basis of my design intellectualism to this day. I come from a working class background as many New Yorkers do, and I can't imagine our lives today without the massive industrial projects and undertakings of our forefathers. It's everywhere we look. After all, my great grandfather not only made metal work for bridges and buildings, he was skilled enough to render The Last Supper entirely out of copper, in a framed piece of art that still hangs in my mother's house. 

Fuse box.

You can't manufacture that kind of history and continuity on demand without passion and heart, not even at the best art school in the world; a place where craft still counts, even back when I attended it as a tower made almost entirely out of ivory. Snobbery is always out of date, no matter the era, because the future will always belong to those of us still willing to get our hands dirty, which includes the mistaken idea that using our hands is somehow a base affair. I hope my former classmate, where ever he wound up, somehow managed to rise above his class-based leanings. It couldn't have been easy to be a Van Zandt, no matter how old and privileged his family name is (was).

Stay classy, people 
 

Hudson Valley: Old Stone Walls

Cornerstone.

I've always loved the old stone walls scattered around Rockland. 
Some are stranded in the middle of the woods like something out of a 
fairy tale, to be happened upon in the middle of a hike as remnants of an old homestead, and others are still part of the landscape, serving their original purpose by demarcating property lines. 

Stone remnants.

They tie us back to our old farm roots, those of the Dutch, Irish, English, and Huguenot woodsmen settlers, frontiersmen, and farmers who created the first US nation. Plus, I just think they look better than other types of fences. They fit this landscape in a way that's right for this rocky land, a seamless blend of nature and design.

Stone wall and picket fence.

Cottage life: http://www.pinterest.com/mariedoucette/cottages/.