Showing posts with label punk rock music. Show all posts
Showing posts with label punk rock music. Show all posts

Tuesday, July 5, 2016

Bordello


https://en.wikipedia.org/wiki/Brothel


Back in the day, me and my large British/Scottish boyfriend lived in a quaint "mixed-use"* residential neighborhood in Denver that had a supposedly thriving bordello operating out of the old house next to our small apartment building, pictured here: https://www.google.com/maps/@39.7423312,-104.9634647,3a,75y,273.09h,90t/data=!3m6!1e1!3m4!1srZ3cLJcEAi2acpMNLcmhpQ!2e0!7i13312!8i6656. Our apartment is the one now decorated with Tibetan prayers flags on the balcony, a true hippie symbol for the mountain adventures of the rich and white "out west" that cleverly masks their true intents of pot smoking and low-level employment behind a handy pseudo-spiritual symbol borrowed from another culture, "slacker"** staples both. 

Of course, the house faced the other side of the building from our apartment, the side with the rowdy gay boys who kept to a more nighttime schedule than ours, but suffice to say, a genuine "shock factor" was in effect. It was then (and now) a beautiful old house better suited to the upscale remodeling of a rich gay architect and his journalist partner, which I'm happy to see has now happened. Denver has always had stunning old houses and plenty of parks, but just like New York City, that doesn't mean crime isn't happening practically beneath your feet. Kent and I were the more "regular" duo of the square Mod-style building we lived in. "There are three 'gay boys' living there, and they're all named 'Rick'! Even the two boyfriends! Ha!"

It was funny, but true. We were the only straight couple in a building full of gay men, but because of our different lifestyles, we barely saw one another, and there was no common laundry room to meet in. "Downstairs Rick" was a nice, quiet, blond man, devoted to his mother (I know), and his cute little lapdog that was very well-groomed (I KNOW!). He was home all day on disability benefits and his father's inheritance, and the upstairs couple was way rowdier than us. Kent could hear them arguing late at night and knocking stuff around, but not me. I'd been diagnosed with deafness by then, which made for easy nighttime sleeping, though not for my hearing partner.

He had the early morning run to do with our Mal, Ted, which meant that he was up by 5 a.m. every weekday morning, with me waking up at 7:00-7:30 a.m. for my downtown newspaper job that I either walked to, or, if it was a nice day, rode our purple motor scooter to, so I could walk TeddyBear for lunch. But, that was our particular schedule. Just like the projects down the block with the liquor store right across the street, stuff changed when we weren't around or awake to see it, which meant that the gay boys living on the other side of the building and the man home all day knew way more "dirt" about nefarious goings in the neighborhood than we did. We were either: 1) asleep 2) walking Teddy or 3) away. And that was it.

After a few late night scuffles that had Kent concerned, he asked the guys upstairs about all the banging and knocking he heard going on late at night, and he was the kind of dude who got answers. "What're you doing up there at night anyway? Making furniture?!" It was an old joke that he turned into his version of what he called "a polite chat", which meant that he got what he was looking for in a conversation as a strong man, or he'd pick you up and throw you across the room. It wasn't subtle, but as a master electrician, it was sometimes necessary with the under-educated people he worked with. As it turns out, "the boys upstairs" were the perfect working-class gay cliche, because that's exactly what he said he was doing: finishing up some chairs he made for a gallery show downtown. Well, that's certainly "arty" enough for this area!

I'd met Kent at a recording studio, as the art director who helped his band make a CD, and we'd become friends through my ex, who frequented a punk rock bar in town called "The Lair" (https://www.google.com/maps/uv?hl=en&pb=!1s0x876c7eca9ed79609:0xb8f14596ec324d8b!2m5!2m2!1i80!2i80!3m1!2i100!3m1!7e115!4shttps://picasaweb.google.com/lh/sredir?uname%3D105306774870304916929%26id%3D6295751615571815730%26target%3DPHOTO!5sThe+Lion%27s+Lair+2925+E+Colfax+Ave,+Denver,+CO+80206+-+Google+Search&imagekey=!1e3!2s-bzMva3lPO5o/V18AvPA_7TI/AAAAAAAAL80/pMIezmcZDXwhtQmZU4j_08JFtL8kNim7wCLIB&sa=X&ved=0ahUKEwjf_5nm4tzNAhWDXD4KHRbaAJIQoioIbzAK), that played his kind of music. We lived a creative life without any of the pretentious bullshit, which is exactly the kind of scene our art, design, and music defined for us, as a generation, and it was always working class in tone, which means that poseurs stay far away from us, because art isn't fun if you don't really know how to do it. And we did.

Suffice to say, with our attentions pulled away, it was a bit of a shock to Kent when he came home from work around 3 p.m. to find a full-on cop car scene right next to our building. What the...? The two gay guys from upstairs were already on sight to gossip about it, and Kent caught them at the right time, but not before he made an entrance to our apartment worthy of the full-on rock star role he played between full-time gigs. "Marie! Marie!" At that point, I was working at home during the day, after the two newspapers in Denver bankrupted each other through a poorly-planned competition that was bailed out by the feds (https://en.wikipedia.org/wiki/Newspaper_Preservation_Act_of_1970), and I was illustrating in our bedroom (on my old studio desk) a children's book I'd written as a child that my mother sent to me. "What?" Me and Ted were alarmed. We had a slow life.

And then he just said it. "Hooker stuff is happening!!" What? Like, I couldn't even understand the words at first, because Denver was such a mild place to live for me. Nothing actually happened there, and whenever I walked around, it seemed like it was a dead place empty of people and life, because I didn't actually see people walking around like you normally would in a small-sized city, even at the park during the daytime. It was such an odd feeling, like downtown Providence was completely desolate at night, in contrast to the working days of the week. This felt like that, too. "What?" 

"Yeah, yeah! The cops busted some 'crack ho's' living next door!" Huh? I just didn't get it. Where? In that nice old house? We never saw actual people walking around this block, let alone next door. Heck, son. Let's go take a look! He filled me in on some of the details he'd already gleaned from the gay guys, but it was jarring to see it in broad daylight. We stood on the sidewalk, watching the scene. A cop car was pulled up on the lawn to the front door, which meant it was a surprise bust. Kent went over to an officer, and quickly came back across the lawn to talk to me, because I had a very concerned look on my face. 

People may talk about New York in an openly disparaging way, but I'd never seen or heard of such a thing happening in or near the excellent spots I picked, when I did real estate as part of a couple. This building was Kent's bachelor pad originally. Still, we never had any idea that such a thing was happening. Not one clue. "They're almost done. They're leaving soon." And that was it. We went upstairs for Kent to tell me the rest of the story, as told to him by the gay couple. "They told me they'd been hearing stuff 'pop off' over there for weeks now." Oh, I see. "Yeah. Like, really loud parties, with some girl fighting some guy on the front law." Ah! That must've been the pimp and his hooker, hence the call to the cops.

And that's exactly what is was. The guys had had enough disturbances from the house next door that finally led them to call the "po po", which is antithetical in "hipster", but they finally did it. "They couldn't sleep at night anymore, and you know how much those guys drink!" Yeah, I did. They were sullen and dark-faced to me, the few times I met them in the hallway, never really speaking to me, but for a dull nodding that was directed more to Kent and his general direction, like whipped puppies avoiding their master. What with the union rip-off job at the newspaper, 9/11, and now hookers, it was time for me to go home. I knew it. I could feel it in my bones. I'd had enough.






*   https://en.wikipedia.org/wiki/Mixed-use_development
** https://en.wikipedia.org/wiki/Slacker
 

Friday, July 31, 2015

"We want the airwaves, baby!"

http://i.ytimg.com/vi/p5PQnngPX00/hqdefault.jpg
A bunch of loud-mouth, no-talent "nobodies" from Queens, N.Y.
 
Part of any genuine rebel movement is acquiring attention, sometimes by any means necessary, although the intention is to always have a firmly authoritative foothold on your audience's consciousness, which falls outside of a teenager's general parvenu. It's the main reason that my first outsider culture, punk, had to grow up. Heat, energy, and movement is fast fun, but after awhile, noise just makes your head hurt. Musicians with long legs in the game learned to play their instruments properly, and after my wild excesses of high school and college, I was sick of the stupid drunk parties. Raping frat boys and vomiting girls are not people one aspires to be around as an adult.

And so I moved on from my infamous New York State party school because I had enough, and I was bored with easy classes. It was a mature decision, and it cost me a lot to make it: studio credits well-earned but not accepted in the Ivy League, friends not confident enough to make it on their own without my constant steadying support, plus a boyfriend or two. I considered it (and still do) and great bargain to become educated, because the kids who couldn't follow along with me would be hangers-on, anyway. They'd hate my new life, studies, and interests. 

It opened up parts of my personality they didn't know (or like). My person changed, grew, and adapted, while my old friends peaked, stopped growing, and then just stopped, sometimes living. It made them extremely nervous around me, and they sought to sabotage my new life violently; a new life that was shifting in front of their eyes. 

One friend accused me of having a totally new signature as proof of my extreme changes, though in reality, it was brought on by being constantly busy as an apprentice in publishing (which she then mocked by prank-calling me at work to say that my new house was for nobodies, a sure sign of threatened youth) and my easy adaption to adulthood. My hand continues to develop into a busy-person's scrawl, not unlike the handwriting of a doctor who writes all day long.

Another friend wanted to sabotage my new group of friends by sleeping with a guy who used to date this girl I set him up with at school, then flirting with my boyfriend while he hung about my aunt's place, looking for a life in the city. In any case, I evolved past all of them, which was their great fear: not being able to ride on my coattails any more for the free fun ride.

One of the worst let-downs (though not totally unexpected) was my best friend from high school and SUNY, who decried me as a "sell-out" for my beginning salary of $17,500 a year at St. Martins' Press; a place I could only afford to work and compete with trust fund English Lit majors by using my aunt's place as a crash-pad. She tried to position it as someone who was looking out for my best interest as a children's book artist, though in reality, she wanted an object to show her students in class, to boost her rep as a new teacher.

The RISD girl was even worse. After giving her a place to stay that was huge and practically rent-free, she also chafed about my new learnin' and a-changin' and a-growin', by ripping out some ad from The New Yorker about a therapist specializing in "creative" people who stopped producing, because she couldn't torpedo the new production and design skills I was learning in the city if she didn't have layouts and drawings to look at.

It didn't stop at work or at home, either. Once I reached the coveted Art Department as a Manager who could do business and book design, the claws came out of the bitchy SVA show-pony crowd, which told me (yet again) how threatening I was to them and their system. 

A well-known Creative Director (then, an Art Director on the rise) has never stopped gunning after me. He bragged about setting balls in motion to harness, control, then humiliate, demean, and fire me at work by trying to position me with a lower skill set than the other one trick ponies at the stable. He told me dismissively in front of a group of designers that my name really meant "Secretary", after reading some pop culture book on name meanings (and repeating it often), because I was behind the slick city crowd in desktop publishing skills, but way ahead in life, and art. It was unnerving.

But all the madness I went through was purposeful and driven, though not always clearly defined enough for my competitors. How do I know it worked? You're reading it right now, because I AM THE MEDIA, and I have made it all the way to the top. Put that in your pipe and smoke it, suckas. Shout that from the mountaintops, baby.

http://static1.squarespace.com/static/5055d21c24acbaa64592f3ce/50faef53e4b03d728a6e25b1/50faef53e4b03d728a6e25e0/1358622555777/
"Generation X" by Doug Copeland for St. Martin's Press (© 1990's): produced by Twisne Fan, Marie Doucette, and Curt Alliaume in several consecutive, co-running, differently-colored versions. 


"We Want The Airwaves" 

Nine to five, and five to nine
Ain't gonna take it, it's our time
We want the world, and we want it now
We're gonna take it anyhow

We want the airwaves
We want the airwaves
We want the airwaves, baby
If rock is gonna stay alive

Oh yeah
well alright
Let's rock
tonight
All night

Oh yeah
well alright
Let's rock
tonight
All night

Where's your guts and will to survive
And don't you wanna keep rock 'n' roll music alive
Mr. Programmer, I got my hammer
And I'm gonna smash my, smash my brain!

We want the airwaves
We want the airwaves
We want the airwaves, baby
If rock is gonna stay alive

Oh yeah
well alright
Let's rock
tonight
All night

Oh yeah
well alright
Let's rock
tonight
All night

We want the airwaves airwaves
We want the airwaves airwaves
We want the airwaves airwaves
We want the airwaves airwaves
We want the airwaves, baby