Focus

Doubly exposed, with a tensely unhappy look.

All my life, my mother has taken really bad photos. It's always been weird to me, because before I was born and for some short time afterwards, my mom loved painting. I still have the precious little watercolor that she made me for my baby room, of Winnie the Pooh and Piglet floating on a watery green background that was supposed to reference grass, but I don't mind the abstraction. My first oil paint kit was my mom's old discarded one that I pulled out of the back of a basement closet. I was reminded every time I opened it, with it's old brushes, linseed oil, and postcards that she used for reference. She wasn't very good, but she also didn't stick with it. There's one painting I found (now hanging above her bed at my putting) that she did of a landscape from a photo. It has some brilliant elements, but just like me with a fondness for science, her vocations led her elsewhere.

Which made her utter lack of ability with cameras even more troubling. Why? She hated posing for pictures, gladly showing me her sulky pouting baby pictures in black and white that my grandparents made her pose for. She cited all sorts of excuses: she hated getting her hair set with curls, she didn't feel like posing, or she was "too busy" to take a good shot. Baffling answers all, but they didn't tell me the real story, because unlike my mother, I could read pictures like they were books. Her photos were all over the place; bad angles, blurry shots, jarringly off composition, always out of focus, or she had a really tight, forced expression of her face when she did pose.

Cutting me out of the picture, and getting away with it.

I didn't really make the connection until many years later, years after I expertly learned the businesses of visual communication, and the various methods of those mediums, because it's that complex. My mom hates posing for photos because she looks crazy in them, and she knows it. It gelled for me with my oldest brother and his wife: with all their compulsive traveling, not one single travel shot produced by them (they also shun the creativity of most social media). Not one. Oh, years of oddly posed Christmas cards of them that they framed for us as "gifts", my savvy marketing family even hiring a professional photographer for their staged Greenwich, CT shoots, but not once did they pick up a camera. They'd admire it in others, market themselves through the medium and put it on their walls, but not once have I ever seen one of them take an actual photograph. They say they don't need them or like them either, which is doubly weird, because they work out to maintain their images all the time. But, I suppose if I had a suicide mom and kids on serious psychiatric medication (like my brother and his wife), I'd hate reminders, too.

Ditto with pictures of me. Not one of me on any of their walls. My mom has these strange plastic-wrapped bundles of pictures, sometimes correctly labeled for the individual in the photo, and sometimes not. They come to me as she finds them stored throughout her household, or when her cleaning lady moves old furniture around. Her handwriting on them ranges from the perfect schoolgirl of her youth to the much more recent scrawl of her senior years. I have no idea why she randomly selected some pictures to be packed away in baggies and some not, except for the obvious proof that these photos show me, like time capsules of her madness: because she still struggles to make sense of the world around her, and who the people are in the photos.

Posing behind me, like I'm a trophy fish on the wall or a decorative lamp.

 
Nowadays, I use them as a form of art therapy for her, just like her onsite caregiver Lynette does in much more vivid detail with her, one image at a time: who are these people? What do they mean to you? Do you remember taking them, or how you felt at the time? More and more, I feel like all of my very learned expertise comes down to the feeling Anne Sullivan must have had breaking through Helen Keller's massively intricate self-defense system: I have done all this for her, to break through the walls of her mind that are like prisons for the many facets of her fractured self. I use my art to break through, very often to her, violently and aggressively, as you can plainly see why here. 

Some days, I simply sign the same messages of hope and loss, love and anger, here on this site and through other media outlets, over and over again until you get it. And sometimes, like this perfectly framed summertime photo obviously taken by grandfather for its' astonishingly stand-out clarity, I get help exactly when I need it, through a man who openly supported my art and personality without prejudice at great contrast to our unhealthy and immediate family. I can feel the power of His Eternal Undying Love, spoken loud and clear across the ages, through one simple, humble, and very beautiful photograph of a little girl trapped and angered by the madness of others, because that's exactly what my healthier grandparents lived through with their children and grandchildren, too.

It was the summer of '75 for me and my awesome Grandpa.

For the Many Faithful of the World: today I give thanks for the loving, beautiful, and gifted grandparents who were essential to my good health growing up. I would not have survived this life without them. Their patient care was often just a phone call and five minute drive away. I also give thanks for all of you who have survived the cruelty of other people's madness to achieve great personal success, by breaking through the many walls around you to greatness. Long may you reign in peace with us. Amen to you.

 (for Bernard and Ann, two of His Most Faithfully Devoted Servants)

Here's a hint: I'm the one in the middle.