Way before Orange is the New Black, my punk rock cousin Susan had already "been there and done that" while wearing the standard prison-issue jumpsuit. She was a model in the city during the CBGB music scene of the 70s, and DeeDee Ramone's girlfriend. She was beautiful, glamorous, and a drug addict. After her fling with the “sex, drugs, and rock n' roll” lifestyle, she rallied back from the hard bite it took out of her to work as an office girl in the city, while dating the "nice" safe Italian boy from her neighborhood.
Unfortunately for Susie, the damage was done. No amount of shiny polyester shirts, tight pants, and Travolta-style pompadours could help her stay out of Studio 54, with all that free coke. What could compete with her troubled working class roots, with its' generic Queens row house, and her excruciatingly boring 9-5 job? Not much, and the allure of the forbidden was too much for her to resist.
When I lived in Brooklyn, she used to call me loaded to chew my ear off, chain-smoking and enjoying the high. I asked her to write down some of her experiences from those days, but like everything else with my family, I'd have to do all the work, and there was no way I could take her on with all of her diseases. But, she told me enough of it for me to recreate a timeline in my head that's reliable.
After her Queens boyfriend broke up with her because she couldn't buckle down into their engagement and a normal, family-based routine, she went back to using hard again. When she was a model, another girl on the circuit taught her how to shoot up without leaving behind any visible track marks, because this was way before Photoshop could airbrush out any sins you may have committed. When I asked her how she did it, she spread her toes apart to show me how she injected heroin in between her big toe and second toe.
And that was the beginning of the end of the road for her. She was caught in a raid on a crack house that had become the center of a huge drug trafficking ring, and like most addicts, she sold to get high. From what I heard back then, it was a typical dirty-bare-mattresses-on-a-floor-with-scary-graffiti-covered-walls kind of joint. Old school New Yorkers will get it. It's the kind of place brokers try to sell as condos in Bushwick nowadays to stupid rich white kids who are priced out of Williamsburg, by selling it as an "up-and-coming" neighborhood, but I always knew better.
From there, she was shipped off to Rikers to do a stretch of hard time. It was unbelievable. Me and my brothers were working "The American Dream" hardcore in the country 'burbs of early 80s Rockland by studying and working part-time jobs. After she was raped in Rikers, they sent her to a prison in Pennsylvania to do the rest of her time. She told me about her affairs with other female inmates, the crescendo of her time rounded out by an affair with a male prison guard.
When she got pregnant by him in the joint, my father flew out there to give her away in a shotgun wedding after her release. I saw the pictures of her with a flower garland askew on her head during the ceremony, bleary-eyed and out of it. And that's how years before you all cashed in on a gang of girls gone mad, my cousin Suzy gave birth to a low-weight baby boy she named after Bob Dylan, her one and only child, not long after her Corrections Officer died of a heart attack.
(From Wikipedia) The writing and structure are both somewhat more sophisticated than the songs on their previous record. Guitarist Johnny Ramone relates: "We recorded them in the order they were written; we wanted to show a slight progression in song structure."[3] Most of the songs were written in the band member's homes, rather than at a studio; "Suzy Is a Headbanger" was written in drummer Tommy Ramone's loft apartment.[4]
"I wrote most of the stuff I contributed at my apartment in Forest Hills, before I left and moved back to a place in the city. I had no amp at home, just an electric guitar. I recorded it onto a cassette and played that back at rehearsal. We had better production, we were playing a little faster, and we had a lot of songs accumulated. We were in really good shape for that album."
