Years ago, I worked for a small Jewish family business in trouble. The two kids hated the business of publishing, which they tried to use for their "creative" endeavors, like screenwriting and music. It didn't work for them, because publishing is about books. And so, I was left with two spoiled "Manhattanites" who'd been told all their lives that they were gifted from their parents. Into this mess, I was charged with righting the ship of one of their Barnes and Noble imprints. It had been ditched into the gutter for being "crass" in comparison to the other Classic series of copyright-free works, which was a total joke.
The bargain books were face-out on the shelf in every store in the nation, a fact that had become a traveling game for me. In each town, I'd look for my name on the jackets of titles I worked on, and wherever I went in America, there I was in book form, too. Because I broke my ass for two years to put it back into shape, I had a lot of pull in the company (and the industry), which gave me the power to make some tricky decisions, especially uncomfortable ones that included their family who drew income but produced no revenue. Their single daughter would sweep in from London to treat me like a Kinko's kid making copies for her, because she wanted to brag about her designer apartment that just got a write-up. Did I want to see it? They had tons of people in their lives like that, but such was the era of housewife decorators and artsy stay-at-home moms. You know the type.
When I finally conflicted artfully well with their small son over IT support (it'd been a handy weapon from Day 1 of my time), I knew I carried the whole history of desktop publishing and Mac computers with me. My enemy camp kept making petty remarks about Apple's business tactics and the inherent snobbery designers had about their corporate-sponsored trophy computers, neither of which I disputed. I pointed that out in several meetings with the enemy camp; a row of rich white men on one side, with me and my cowardly deaf mute designer on the other. She always backed out of speaking up in meetings by citing her deafness, which usually worked at stalling the machine, but not for me, because I have a deaf father. And so, when they finally realized that shutting out design and technology had dearly cost them their business edge, the son surprisingly decided it was time to finally pursue that music career full time, by touring and cutting a self-made CD, another type of business he knew I had under my belt, too.
Enter the scene one dramatic and showy character named Jimmy. The company admin gave him "advice" within my earshot about how to work me over as a client, by giving him "tips" like appealing to my Irish side and being charming, Yeah, Mick. Fooking do that. I liked Jimmy, as I typically do with my kind. He was smart, gifted, quick, and good with the older crowd who feared computers like they were boxes sent form Hell to deliberately torture them. Because he was older than me, he knew how to mock and demonize technology so that the older rich guy would cough up the dough. After all, Jimmy was a trained actor, as well as an IT guy, professional musician, lapsed Catholic, martial artist, and newly graduated fine artist.
He showed me pictures he took of his beautiful wife and classically Celtic sons: a striking "Black Irish" clan with bright blue eyes, fair skin, red lips, and dark dark hair. Yeah, I know. The boys were into Mohawk hair designs and boxing poses, which slayed me, but I wanted him to play me like a fiddle to get us what we needed, and he knew I knew the game cold. On one warm St. Pat's evening, I took the publisher's intern nephew on a long walk with me that spanned from the East 30's all the way down to Stone Street, to hear him play. It was loud brash standards (which embarrassed him a bit), but I could tell he was good. I wanted to show him support in lieu of his recent divorce, a shock that rocked him to the core.
I didn't know how bad it was until he showed up at the job with a bagel and hysteric tears, which frightened me. I told him about my own brief brush up with a marriage I'd been suckered into, but I realized it was much worse for him. His wife had done herself up buff at the gym while he worked and played around, which couldn't have meant he spent much time at home, and the kind he did was questionable at best. You don't cry onto your client's keyboard without a really bad heartache, because I paid him every penny he was worth.
When he broke down in front of me, I knew I could either save him or lose him in that very moment. And so I did what anyone like me would do: when he bitched about his weight gain, I caught his darting red eyes, locked in on him, and told him the truth flat-out. He was in danger of something a lot more serious than a brief spat with gluttony, and he knew what I meant, because he bowed his head down for a moment. I left to get coffee in the company kitchen, and let him collect himself. By the time I came back, he'd put on a brave front with a sheepish grin. He knew I'd never fire him, but he'd embarrassed himself at work, and that was a lapse I knew he didn't do often, because I worked under the same threats as he.
After St. Patrick's Day, I only saw him once. The struggling family outfit finally let me go to "clean house", after they'd tried to use every political card they had against me. He'd done me a right turn by getting me an interview at his day job. I wasn't suited for it as a lowbrow market and I knew it, but it was good PR for me, because it let the industry know I was shopping around. I heard him gossip to the art director of a splashy photo mag there that she'd seen my portfolio with CD's. He asked her quietly: "How did it look?". She said she caught one minor error about a tiny line of 5 point copyright info placed too close to the donut whole on one disc layout (I did all my own layouts and production), but that my music creds were solid and true. I did have a famous musician or two in my book, complete with logos, booklets, cases, and all. "Shit", he said under his breath. I could see them out of the corner of my eye in his office from my vantage point in the conference room, him at his desk with her standing over him.
The interview was over, and the next time I heard anything about Jimmy was on Facebook, because he committed suicide that winter by taking a handful of sleeping pills while home alone in Woodstock, packing up his stuff during his first Christmas alone and without his family. He'd been gracious enough to post us a good-bye photo on Facebook, with a caption below his last self-portrait that read about how tired he was, and that was the last of it. Forever.
For Jimmy
