Showing posts with label innovation. Show all posts
Showing posts with label innovation. Show all posts

Thursday, June 23, 2016

I Write the Book (Everyday)


 https://en.wikipedia.org/wiki/Illuminated_manuscript

For working class people like myself, our productivity serves as the vocation that directs and guides our lives, because labor is the greatest conduit to self-determination that we have. It was a really hard concept to describe to the average Americans I met earlier in life, like the feeling behind mia famiglia*, a shared closeness that bonds New Yorkers on a deeper level than your average cul-de-sac couple, because if you don't figure out how to live on top of one another in a small tenement flat with a shared bathroom on every other floor, you're fucked for life. You might just kill someone on the next "bad" day!

Much like our advanced solutions for recycling and re-purposing, our island nation began with limited space that demanded excellent and immediate solutions. While other Americans buried their toxic trash in empty fields that they hoped would just disappear like so much dust under a carpet, we were forced to live with our garbage strewn everywhere, as the price we paid for our failure to adapt. There was simply nowhere else to go. Our limited shared spaces created some funny dynamics, like the floating garbage barge denied docking pretty much everywhere (https://en.wikipedia.org/wiki/Mobro_4000), and the infamous prison barge for our society's over-spill of convicts (https://en.wikipedia.org/wiki/Vernon_C._Bain_Correctional_Center).

When you can't take the train without a deep feeling of paranoia because the homeless drug addicts outnumber the people of the everyday working world, you've got a big problem, and when you can't walk down the street without the rank smell of a two-week pileup of garbage during the hottest season of the year (ah, August in the city...), you kinda want to solve those problems as quickly as possible. And so, we did. In the process, we became the world leader for innovation, adaptation, flexibility, and real change, because we had to. It's hard, and it's entirely human. But, on any given day, you'd find just as many working class people like me encountering the same situations with solutions already in hand (and cheaper than yours to implement, Baby Boomer) right now.

So, we waited. And waited. And then, we waited some more, for you to catch up to a reality that you check(ed) out of regularly with t.v., booze, pills, shopping, junk food, and whatever else the "idiot box" sells you, because you can't cope with the world you made
and then destroyed. Thanks for that, by the way. I heard one of the designers from the home-based reality show "Queer Eye for the Straight Eye" (https://en.wikipedia.org/wiki/Queer_Eye) joke that he'd simply become the maid service for a bunch of dysfunctional shut-ins, and it was easy to see why. "You know your apartment needs cleaning when you have air fresheners plugged into every outlet", was the most direct way one of the designers could explain the concept of "clean" to a drooling chronic case of angst.

For me and my hard-working friends, the class system was completely different than the false realities sold to us in college and on the job through popular t.v. shows and movies. There were no more "blue collar" or "white collar" designations anymore. We were left with those who can, and those who can't, with a million problems needing solutions, and all of them were yours, not ours. In order to live, we had to solve your alcoholism and indifference for you, by managing it better than you did, with your greater share of power and money. In short, we became the ruling class from every great time in history, like the samurai warrior class of Japan, or the enslaved architectural scribes of Ancient Egypt. Because we had to. We had to work our way out of it. We simply had to. We have to work. There is no other choice.


Work for me has always held the power of self-determination, as the ability to rise above the shitty overblown titles of the inept office worker, or the ineptitude behind the egotistical fast-food restaurant manager, doomed for a life of gruelingly repetitive banality. Anything but this. That's how we felt about it. Anything must be better than this. And we were right. It was. Our lives were/are so much better than the people in our families that we grew up with back then. I always describe my group ethos as thus, for our motivation: I don't want to die. That was/is our motto. SO inspiring, right! Yeah, sure. It's a great bestseller, if you package it for demented retards. We rose above the labels and strata of the American Dream, because the fantasy was never real for us. We became the work, and in the process, we began to rule the world. Through popular vote, of course. What else is there?

People are the primary artisans of their own development, the first in charge!

Friday, June 26, 2015

Leatherbound


Pressed leaf from a Ginkgo biloba tree.

As a publisher, I have books of all shapes, sizes, types, languages, and purposes. Most are for reading, but I am media-independent as a creator, which means I do not experience biases based on other people's preferences. 

A junior staff member from a small family business I worked at years ago was horrified to discover that my priceless going away gift, presented to a homesick Midwestern admin, was actually a one-of-a-kind art piece crafted from a hollowed out duplicate of a hardcover classic that's been in print for hundreds of years.  


A gift of a leather bound journal for whatever I want. Thanks, Jang!

Yeah, I know. It's why neither former female employee (not the gift getter, nor the assistant) works in publishing anymore. They don't understand that a book is more than text communication; it's also an art object. The very essence behind my success lies in my ability to transcend individual intentions (which are probably wrong) to ascertain real value, make something from it, and present it to all of you. That does not mean the people around me necessarily "get it", or see worth right away, because they can't. My job is to see.

I use bound materials the way any artist uses any medium in a serious way: by pushing it further than you ever could, and that's what keeps it so fun and fresh. Plus, I really enjoy the feeling of "shock and awe" on your faces that rings in "frontiering". Hey, parents get bored, too! Have fun this weekend and go make something, will ya?


"For those who fight for it, 
life has a flavor that the sheltered will never know."
- from the movie, Sucker Punch.



Thursday, June 19, 2014

The DNA of Our XYZ: RISD by Design

Natural instincts, and other magical gifts.

Being a RISD grad (pronounced RIZZ-DEE) is like dropping the Harvard bomb into casual conversation at a cocktail party: the music stops with a sudden scratch of a needle across a record (you remember those, right?), like the person opposite you has just spied spinach caught conspicuously between your front teeth, as is now deciding whether or not to tell you the truth about your appearance based on your relatively new, and brief, acquittance. How to proceed? Alarm, dread, surprise, or maybe a kind of slow-creeping dawn of recognition widens their eyes, and those are just the people who know the truth about who we are.

I do not (nor have I ever) resemble a graduate of the Rhode Island School of Design, just like I don't resemble the stereotypical, movie version of an artiste, or the square-framed, shy, passive-aggressive, arrogant, know-it-all book designer, like your average, working class, boogie-down New Yawker, or your typically self-righteous Catholic girl, though I am, in fact, all of those things: an artist, a book designer, a native New Yorker, a person of faith, and that's just scratching the surface. Like my ethnicity, the story of who I am is not the Dummy Guide to the Self or a CliffNotes version of reality, though I am far from pretentiously complex, nor purposely difficult to pin down, like some pompous hipster living high on the hog in Williamsburg (look it up).


Nature, and also, design.

Through time, I found myself to be exactly who I think I am, and that my experience at RISD was exactly what it was supposed to be: hard, brutally hard, and not something I would ever contemplate doing again, because my purpose was (and is) to go out in the world to share my work and my vision as a leader in the world, and as a woman of the world. It was a "one of a kind" type of thing, just like my time as a student was.

I now see my time there as something akin to the cinematic version of the combined Harry Potter books: a magical sort of place that doesn't actively seek out students (nor should they, because RISD has the lowest acceptance rate in the world), but simply draws to it the beautiful and gifted like another type of magnet, that Sorting Hat of Potter fame. As much as I didn't "fit" in (and who would, at such an extraordinary place?!), I found over time that I am exactly what they wait for at RISD: a type of intellect that can cross barriers, jumping lightly over divides to make previously unseen connections, building almost impossibly beautiful bridges seemingly out of thin air.


Human animals, and other topics of interest.

Because, just like one of my professors admitted, we are this era's Leonardo da Vinci's (and every era's ever after), as we always have been, and we always will be: not easy, not trendy, not "alternative" for the sake of a short term sale, but rather to become enduring, lasting, classic, innovative, a type of forever that's also human and achievable. It's kinda like being the stuff that books are made of: once bound and sewn by hand, then printed on paper by a press with movable type, and now rendered into a computer programming language for the Digital Age. Yeah, like that.  Come, see for yourself.  http://issuu.com/risd/docs/risdxyz_spring2014_final_single_pag#


Revolutions in the making, and other brilliant feats of typesetting.