Like Wadsworth's "Evangeline" and her happy Acadian family with the beautiful black eyes living in a fertile river valley, my joy at being alive is something I can't always hide, even when it is more convenient to the people around me (or more appropriate to their customs) for me to do so. In Asian cultures, a big toothy smile is often seen as the prelude to a false act, like an overly solicitous shopkeeper trying to sell you damaged goods, or the villain dressed in black from a martial arts movie with one hand behind his back, waiting to press the button down on a bomb detonator. "Oh! Haha! You die! You die, now! Hahaha!"
Let me assure you, laughter and smiling in my culture is a sign of happiness, not deeply repressed anger or hostility. If being psycho makes you happy, you need to see a reputable doctor. Like, now. At the office it was even weirder, attracting notice wherever I went, with whomever the audience, as thinly-veiled digs that were supposed to function like so many pins popping so many balloons of mine, like the child I haven't been for quite some time. I guess when you grow up without a wailing wall at your disposable, problems are much less interesting as a showpiece for attention.
We grew up with sayings like "misery loves company" and "keep a stiff upper lip", followed by my dad's favorite "the sun comes up tomorrow" as a rip-off from the popular Broadway play "Annie". It is culturally entrenched among my people to handle problems by solving them through hard work, not worrying over them like a hangnail by "pouring salt on an open wound". There is a time to grieve, and there is a time to live, and we get to savor the richness of life through our emotions and feelings. No one is excluded from it.
Most evenings, I enjoy watching the updated version of the popular game show "Family Feud", most particularly for its inclusive representation of American families, encouraged and culled as they are by the staff of the show and their host, actor/comedian Steve Harvey. It's a lot more real than so-much genteel hand-kissing and flirting, much as I loved Rich Dawson's campy turns about the stage in the 70s and 80s. For the family that makes it to the speed round at the end of the show comes a quick sucession of answers to really hard questions, like last night's repeat episode.
The question was: on a scale of one-to-ten, how happy are you at being alive? The attractive African-American woman answered "TEN!" right away, at the same time as me. After her turn, another nicely-dressed family member came out to answer the same questions, with the extra burden of answering again if she repeated the first contestant's answers. It's a telling way to hear how families have the same mindset through their similiar answers made under the gun. Same question: how happy? And again, same lightning quick response: "TEN!"
Uh uh. Try again. "NINE!" Next best thing, right? And like that <snap!>, I felt less alone in the world, as a part of an "oppressed" people supposedly so drug down through the mud that we can't get clean. Right? Wrong! Wrong answer. I felt like we was all in the same room togetha, and we could be! That's the magic of inclusiveness, and faith, and family. You can't burn your way through it. Suddenly, I knew there were other people in the world like me, and do you know how I felt? Yup. Happy. That's the "joie de vivre" that marks our particular flavor, and you're welcome to it. That's being Acadian, y'all.
