Ill Communication

Do you remember when you and your brother were kids, and the two of you decided to flush one or two of your smaller toys down the toilet just to see what would happen, only to watch the water slowly rise to the top of a clogged toilet bowl in a growing panic, wondering what to do next, turning around to see your Mom standing in the bathroom doorway with a thin smile on her lips? Communication is like that; effectively done and it's almost like E.S.P. Well, how did you know what we were doin'? And then she'd say, "Because I have eyes in the back of my head", or even creepier, "Well, it was too quiet, so I knew you two were up to 'no good' because you're always so noisy!"

That's how my Bronx-born mama rolled: with eagle-eyed precision and harsh corrections. My parents weren't training us to be alright in your particular corner of the globe. They wanted us to be able to survive in the city and beyond, which means that you have to not die to win and that's not always easy, especially when the people around you are workin' all sorts of cons and scams: in degrees, mind you, but they get there step-by-step just like you do, through deliberate obfuscation, vagueness, and outright lies.

Like my mom, I know when the people in my family are sick, because they stop talking to me completely, as well as everyone else around them. I mean, we get nothing from them, and I can't tell you how disturbing that is, except if you know what I mean because you've lived through it, too. I've have sisters-in-law who have never sent me a card, or a letter, or an email, or an invite, or returned a phone call, and these are supposedly affluent white women who went to the best schools their families could afford. Nothing. You get nothing from them but their neurosis (https://en.wikipedia.org/wiki/Neurosis), and maybe some insults, if the wine is freely flowing.

Imagine if I spent all this time writing to you, telling you all about my life through a "ghost writer" (https://en.wikipedia.org/wiki/Ghostwriter) or an outside editor, because despite my years of education and experience, I still can't communicate what I want to say. That would be such an utter failure to me, I'm not sure I could stand it. I simply don't understand that level of selfishness, or the depth to that inability. How can someone earn a lot of money for houses and cars in multiple, but can't talk to someone as open as me? How can that be successful? 

And before we go on to that, I'm tellin' you that these women have had the same Catholic upbringing that I did, except with way more expensive bells-and-whistles built into their experiences, like fancy parochial school educations from birth. Do you know how much of a selfish, sick, unfeeling, hard person you have to be to watch someone like me and not care enough to help out? Think about it. 

Think about the inaction, ineptitude, incompetence, insensitivity, and utter lack of generosity you have as a physical therapist on the clock only (like my brother's wife), but never when your sick mother-in-law with Multiple Sclerosis needs it, especially between those Medicare "donut holes" in her coverage that occur each and every year? Besides sickness and badness, is there any other explanation for withholding all that your family gave to you for free? Because I've heard every excuse there is too many times to count.

We've been dug into this deep hole as a society, that we find harder and harder to climb out of, because of the gross inequality that comes from the over-acquisition of material goods over the better skill sets that should be part of the healing arts, including excellent communication. If you can't talk about what's wrong, you are it. There isn't any other place to go, or hide. It's you. You are the problem. The problem in your life and in this world is you, so you better start talking. I'd start today, if I were you. Cough it up! Get it out! That's the only way to get rid of it. If you can talk your way into money, you can talk to people about your sickness. Cut the fucking bullshit. It's time.


Your homework: https://en.wikipedia.org/wiki/Communication

The One-Armed Bandit

https://en.wikipedia.org/wiki/Multi-armed_bandit

The first day on my new job years ago came with a directive to take down one of the weird black-and-white "head-shots" from the company wall, for scanning into some brochure that expensively advertised their version of classics from English literature. They were ridiculously pompous about a rather simple business model, which was disseminated by my old work mentor who I ran into at an industry function, into one neatly condescending sentence: "Oh, right. They do domain-free stuff." It was so right-on, I instantly remembered why I found myself grateful years later for her stewardship as an apprentice.

Yeah! Basically, they had some compulsive low-paid editorial assistants work the annuls of public domain in the NYPL for previously-printed material that lapsed from its original legal copyright protection to become free for public usage. Of course, we still have to pull the material into something as beautifully cohesive as a finished bound book in this century using our technology, but that's essentially it: reprinting old works that they paid nothing for, as a company. 

The only real investment was upfront in the manufacturing process and labor costs associated with the edition's making, which means that they sold the book to B&N at a profit already, and yet, when I began with them, they had absolutely no profit-sharing programs available to their employees. They didn't even have a decent 401K for the employees to roll-over any of their older plan monies from other businesses into a retirement fund, but as their resident "Art Star", I guess they thought I wasn't supposed to know the business at all, even though their VP of Production and Design had already verified and tested my bona fides in New York City media, and they are real.

My first day was a complete set-up, because no sooner had I taken down the photo to scan, than I was immediately beset by the old publisher's crazy old wife, because their rabid Israeli-born receptionist played games with people all day long, and I guess she thought I was an easy mark for her. Uh uh. After she had her bitchy way with me over some uncommonly douchey photos fashioned after the portfolios of professional actors and most definitely not publishers, I ratted her out to the program manager who asked me to do it. He was a dick, too, so I watched their power struggle from the sidelines of yet another business I would pick apart to put back together properly. 

Another day at the office. Ho hum. But, the crazy old man's wife played a key part in their inabilities to handle their business well, because their family pockets always came first, and they married into their family those employees that they thought they could bait on the hook with a guaranteed steady income in uncertain times. It's the same old economic ruse that pulls the chain of every starving would-be artiste who gets their ass kicked by the city. They had a lot of out-of-towners and spoiled suburbanites in their small office, which culturally signified to me that their world was mine for the taking, and their overtly nasty behavior proved to me that they already knew it. 

After a few more exceptionally douchey encounters those first days, I got the message quickly. We don't like you: we need you. Okay, fine! I don't really care for any of you headcases, either. This is just a job to me, in your rented office space. My content belongs to me and my brain, and after the old man's bitch got her head ripped off that very first day, she stayed away from me on purpose. I'd hear her jabbering away to their crazy bitch of a receptionist (before she made her move as a false "frenemy" that I played to the hilt) about how to do it, too.

So, they gave me a lot of room for the practiced tactical strategy that I needed to clean up their imprint and own it through their insanely orthodox marketing bitch at B&N, a woman infamous in the industry for being a cold hard bitch. But, she wasn't me, so I played her, too. Eventually, they all figure it out. My program=my rules. No? You want more fucking money? Do it, bitch! It kept me hands-free for the first few years, until the wheels came off their secretary who dared to infiltrate my world by elbowing into it unbidden. People get hurt around warriors, know what I'm sayin', and she most certainly did. I wrecked her for anything else but rehab and a psych hospital forever.

The wife thought she was safe from me because of her husband's money, but I knew too well from my family that money comes and just as easily goes. She played evasive tight-lipped games with me when she was forced to be near me in physical proximity, thinking she was avoiding my careful scrutiny, and she was somewhat right. She's not really important enough as person (or a pampered Jewish housewife) for me to be outright concerned with her deviant behavior. She knew from her husband that messing with me carried a stiff price. Messing with me messed with their money, and they loved money really badly.

It bought them coveted committee seats on prestigious theater boards, so they could press their dip-shit daughter's work on people as some phoney "playwright", and she was a total bitch, too. She treated me like a copy machine once (ONCE), which landed her in her father's office for the next "hands off" speech. I also got their very own son put-out to pasture as bogus IT support who couldn't hack it in the real world of professional publishing, because I introduced our more sophisticated machines into their work-flow properly, and not as some fancy wonky sideline to entertain arrogant art fags with. He blew his lid after a a few months under my tenure, as I reoriented their work queue to be at my scheduling through my production manager, by dividing the workflow equitably between the two imprints. Done! Next!

She'd make scared small talk with me when she had to in the company kitchen or the bathroom, places where her obvious ignoring didn't work because it was too obvious a slight to me. I knew the crazy old man fired a lot of employees on the spot for no good reason because they are a family with serious mental problems, but as rich pseudo-intellectuals, their pomposity suited my purposes fine. The old man outlaid the cash I needed to perform and then out-perform them, which is the poser amateurs greatest fear: discovery.

Marlene would only speak to me in vague little mutterings made to simulate a doddering old lady, until the one day when her act actually took hold for real, because old age catches up with everyone. We had a brief exchange in front of her office, because I showed her how to attach a file for submission to some poetry contest for nobodies, and it wasn't even fresh: it was old stuff from the 60s, after her very first ejection from career life to mommyhood, which she must have chafed against as a pompous Baby Boomer Art Fag. She was the very last person I'd want for a parent, and you've read about my crew.

Turns out, I hadn't noticed the stiff arm of hers that she never used, and she was proud to show that off to me, as recognition of some sort of prowess on her part: "Oh, that's because I compensate so well that you don't realize it!", in a fake sing-song voice that marks a poor teacher who condescends to the very children who sit in front of them. Ah, that was her first ousting from real New York business, then. Okay. Over the next few years, she'd elaborate in small bits that she hoped I couldn't digest into a whole, but I did so anyway.

She told me a good bon mot after I helped her use the paper-clip thingy on her computer's PC-based email software to attach a file to an email (basic, bitch) so I could see that she could type well, too! Wasn't I impressed? Huh, so, yeah, how did you lose use of your arm? She knew by now that I grew up with a handicapped mother, and her MS trumps anything this poor old rich bitch has. Trust on that, peeps. She began speaking to me with her usual vaguely flute-voiced routine "Oh, you know....." No, I don't, and I looked right at her, which their disordered staff hated. More scrutiny, you see. "Well, I had a bout with breast cancer years ago...."

And? What? Bad surgery left you with no arm? That's a libel suit! Well, no....Okay, still no answer. Cough it up, bitch, I have work to do. She had very small time windows with me, by then. What happened? She thought she staved off discovery until today, when I write to you that the crazy old bitch didn't lose the use of her arm from a badly-done surgery years ago. No, that crazy old bitch had paralysis brought on by the "trauma" that must come from successfully surviving breast cancer, just like my mom and her two sisters did, sans limp arms. She had to back-off from me then, because her big winning story about survival was just that: bogus as any day-school business model I could've written in my old black-and-white notebook, back in the day. Booyah, bitch.

When you see disease in one limb, just look to the source. In this case, it was their very own family tree: https://en.wikipedia.org/wiki/Conversion_disorder

How they did it: https://en.wikipedia.org/wiki/Free_content

Where's your non-disclosure now, huh? Yeah, just as thought. Silence.

Counterfeit

My attempts at creating a home out of the remnants of my aunt's apartment in Kensington were often met with sneers from the 30-something crowd who competed with us as teenagers at RISD (taking the one available scholarship for Illustration from us as well!). She dropped snippy remarks about my poverty, like: "Oh, this is such a claaasic 'starter' apartment", the very same privileged bitch who took college money from us by working professionally as a graphic designer for many years, and was taught illustration by her illustrator dad before going to school with us for Illustration (hence "winning" that Hallmark prize money, the one and only prize awarded to students for Illustration), living off the comfort that her IT husband provided for her. She then set at sabotaging our lives and work when she realized NYC was out of her reach (even after she ripped us off), to finally retreat to that northern place where all rich hippies go: Woodstock, NY.*

But enough about her. I was left with whatever my aunt didn't want to pack and move with her, like she was on the run from a serious crime, instead of the easy living my father's sponsored support provided her, present at each and every level of her life, which included (totally free of charge): apartments (in New York City), houses (in West Texas), jobs (in his company), healthcare (from out of his pocket as her employer), furniture, movers, cars, insurance, food...everything was always included. The only way I could do my apprenticeship in the city and stay alive was living in her cast-off apartment that had some furnishings, leaving me to pay off her monthly maintenance fee (it was a co-op), and all of the other bills that came with living in Brooklyn.

Anything else that I needed to survive, I had to either find, make do with, or do without. It was with this barely-able-to-eat budget that a basic answering machine came to mind because I had none, and I needed one for potential employers to contact me while I interviewed for work. I had nothing except my clothes, my artwork, a drafting table, and a few lamps, moving out of my mother's house at 17 for school, and not looking back. I have always been almost completely and totally on my own, for most of my life so far. I told my cousins from Sheepshead Bay (they liked to drink at the old man's bar on the corner, down the block from my aunt's place, because it's a cheap dive with a great jukebox), that I needed an answering machine, and they told me not to shop on Canal Street for home goods, but what could I do? I was flat broke with just my work savings from college jobs and a credit card, before I began living paycheck-to-paycheck.

I'd known about Canal Street since my student days, because there's a really well-known art supply store there, packed with several floors of stuff. It's the one place in the city where you can find everything you need to make art, and that's a rare thing. Back in the frontier days of Brooklyn, I had to do most of my shopping in Manhattan, and lug it home on the train or (if I just got paid) in a taxi, but that was extremely rare. Every penny counts. I screw up my budget, I starve. End of story.

So, I knew when I picked up a shrink-wrapped machine down on Canal Street (which cost me two subway fares to get to, for the ride there and back from way-out Brooklyn, taking me hours to do, with transfers and construction re-routing on the weekend) that I was entering into a shifty no-man's land of goods and services, a shady place to shop where there are no guarantees, but when was my life any different? If I didn't do something (anything) to help myself, nothing happened. Absolutely nothing changed, because no one did anything about it, just like it is today. It looked "hot" and slightly used when I picked it up in front of a street stall, but it was either this or nothing, so I bought it from some chain-smoking Chinese guy for $15.

My dad's cousin laughed drunkenly in my face the next time I saw him, because within a month, the two mechanical arms that sprang up when you needed to change the tape broke off. They completely popped out of their tracks, never to be put back into proper working order again. "I told you so", he slurred at me, and then he bought another round. Thanks. Within a week, I made the painful decision to invest in a $25-35 machine, knowing I'd feel the squeeze at the supermarket that weekend; no after-work drinks or take-out slices for me. When I turned to look around the joint, I simply saw myself reflected in the mirror behind the bar, because there was no one else to turn to. Ain't never been any different for me than that.

* https://en.wiktionary.org/wiki/trustafarian

Long Island Ice Tea

A street in Beach Haven on Long Beach Island.

Like most people from around the way, families either went to the Jersey Shore for the summer or out to Long Island, which I knew nothing about. I never really met anyone from Long Island until freshman year at my SUNY school, and it was rough. I had no idea where people that horrible came from, except maybe the town of New City here in Rockland, infamous for nasty, vicious, desperate housewives with their scary long-clawed manicures and overly coiffed hair. My best friend was my first roommate ever, and she did no better with them, even with her family summers at Montauk fishing. We were adrift in a sea of some of the worst human behavior we'd ever seen, but I'll tell that story on another day.

Me and my family made the long drive to LBI* almost every summer, with the occasional stop in Cape May to see family, but mostly we went to a rental house in the town of Shipbottom, and we loved it. Long Beach Island doesn't have a boardwalk, or cheesy strip malls or (back in the early 80s and late 70s) much of anything besides mini golf, surf shops, seafood joints, bike rentals stalls, saltwater taffy/ice cream/fudge stores that also sold seashell magnets, and a few depressing old man Irish bars thrown into the mix.

But we didn't care. We weren't there for the human ambiance. We were there to soak up some sun, play in the sand, and body-surf, because the ocean side of the island is one big beach that seems to never end. When we were kids, we tried walking the length of the island when we got bored, but we never actually made it, because it's 18 miles long, which was way too far for us to go. It was magical, and it was family-oriented, for at least for my childhood and preteen years, until my family broke apart through divorce; a sudden stop with a horrible soap opera ending that included one very short, skinny, thick-glassed, and bucktoothed barely-legal secretary, which was excruciating to tell people, so I mostly didn't unless I was talking to a schoolmate.

My family tried to stumble along with our summer traditions, like the times when my grandparents or my aunt (who had money from her late husband) rented a house, but it wasn't the same. They weren't ocean people or active swimmers, so some of the fun was lost. In any case, in the summer of '87, it all blew up anyway. I already finished high school with Regents college credits by my junior year at age 16, while my mom held me hostage in her house by denying me most of the obvious suburban teenage supports, like rides to work or a cheap used car, so that her and her ugly Italian boyfriend from the house next door could find time be alone (which was so creepy because I grew up with their household as neighbors), after his wife died of cancer. 

They made my mom's house unbearable for me on purpose to have some privacy from their kids, secure that they had the upper hand over me while my older brothers were away at school. One night when my bro was on break, he pulled me quietly onto the staircase so we could hear them downstairs gossiping about money. The old boyfriend from next door actually suggested to her that I could be a hooker ("Maybe she's 'whoring'!"), or selling drugs, and that she should check my purse regularly for items related to those work pursuits. Meanwhile, his daughter had barely made it through high school, and not one of his kids ever went to college. She told me one time at the top of our lane, while waiting for the morning bus to school, that she thought she had a miscarriage. She was just 15 at the time, and I was a late bloomer who'd barely been kissed, and someone who'd also been taught to pinch every damn penny like it was my last, from my thrifty Acadian father and all of my Depression-Era grandparents; which was totally unlike my pampered, white-gloved, private-school mom, with her tea parties and petty, vicious sisters used to getting their way. I made $20 last a long long time, just like I do now.

But everything I did, wore, or said was open to suspicion and scrutiny in my mother's house. I became accustomed to their unfounded fears and wild paranoia about me, and like any good teenager, I eventually caved into their hated suggestions to become the wild rebel they wanted me to be deliberately (so they could tear me apart), and not without a certain amount of style. I couldn't wait to leave home. Senior year was a wash for me and my mom knew it, but letting me stretch my wings towards serious academia would break her "College at 16" family record, and like any evil mother from a fairy tale gone wrong, she couldn't let me get away with beating her, which is as far from parenting as you could get, but both of my highly insecure and very disordered parents were always more childish than mature.

Under this hateful cloud, I took an invite to join my mom and her younger sister at the shore for the 4th of July weekend, but this time I was more experienced. I'd been accepted into every SUNY school I applied to, and my "bestie" would be bunking down with me at Oneonta, so I thought I was set. What could my mom and her vile family do to me? I was naive about powers of destruction, and foolishly optimistic. It was the let-down in my guard that my teenage spirit needed to run free. After a giggly night on the beach with wine and fireworks, I put my mom and her sister "to bed" back at the house (they can't handle adult drinks), and then I went in search of a good time. I didn't have to walk far. I had found my confidence with men (which would lead to a late summer downfall later on, but I didn't know that, yet), learned by watching a pushy Jewish frenemy with lots of time, absolutely no parental supervision, a free car, no after-school jobs, and lots of money. She does PR for fashion in the city today. Yeah.

So, leaving my mom and her sister at the shore shack eating chips at the kitchen counter, I put on a white half-shirt with shorts and a funky hat from a thrift store in Nyack, in true 80s style, and I walked into a house party that was a block away uninvited. I just walked into the house, quickly scanned the place, picked out the best looking guy there, walked up to him at the keg in the kitchen talking to a group of girls who surrounded him as they laughed at his story, blew through the ring of them, and then picked him up over a beer that he poured for me. I left the party with his name and phone number in my pocket. It was the house phone number to his swank downtown Nyack pad with a wrought-iron spiral staircase and exposed brick walls, with a cool city job as an sound guy at MSG. Nice...but I was just getting started.

The next night, my mom was feeling good for once, a little tipsy because she actually convinced her pukey little sister to drink one of her dumb little kid drinks, like Coke and Root Beer Schapps; disgustingly sweet drinks to match her sugar tooth, with its' raging soda and caffeine addiction, one that continues unabated to this day. She was feeling loose, so my mom let me order Long Island Iced Teas at our table, the strongest drink known to man. She didn't know that, which was rare for her, so I took advantage of this opening to order with impunity. I'd been warned that they snuck up on you silently, but by the third one, it was already too late. I was knock-out, pass-out drunk.

We were at one of the few nightclubs in town, because my mom's latently gay sister had decided to showcase her rarely seen heterosexuality by openly gawking at male strippers, boldly proclaiming her lame status as a "cougar" (a term sadly not yet in existence in 1987) by hanging a Chippendale's air freshener in her car, when her and her gay friend went to a club in Manhattan on one of their rare hetero-themed larks. It didn't last long (thank G-d), but she was in the middle of her 30s, and this was the last gasp her immature sexuality had before it died forever, helped along by junk food and Valium. She and my mom were also getting along, which was rare, too, because they don't have much in common besides family.

I don't remember much about the show at the time, except that I made eye contact with the cutest guy on stage, while my mom and her stupid sister encouraged me to put money in his pocket so he would come over to our spot where they could look at him. He wasn't my type at all; he had a cheesy pencil-thin and very gay mustache, with tightly-coiled curls that were shaped into the mini mullet of the day, with a tan that was classic guinea at the seaside. Anyway, I really hadn't wanted to see anymore of him than I already did, but I got bored with my mom and her dumb kid sister, so I turned my attention to the dance floor.

"Macho Man" was now in his street clothes, dancing with some girls and waiting for me to make eye contact, which I then did, and WHAM! that was it. He came over to talk to us, asked me to dance, and then we did. My mom went back to her sister, barely noticing me until later on, when the dancing got tighter and closer, and the lights blinked on and off. Uh oh. This was a highly public display for me, something I didn't often do in front of family, because the bitchy repercussions weren't worth the few minutes of attention I got. My mom had sobered up a bit for the drive home, and then she was on us like a harpy, eyes flashing with anger, her nails dragging along my arm and digging in, because she loved scratching me as warning signs to more aggression.

"Do you now how old she is?!!" My mom spat out the words into his face while she pulled me away him. "Uh, no. She told me she was 19!" He looked really young then, too, and startled at this New York mom outburst, which was probably a lot like the spiteful guinea mutha he had at home, waiting for his tip money to put into the family till. "Well she's only 17 years old!!" She screamed it out, and by then, we had made a scene. With the house lights on, he and I looked very young, like the teenagers at the beach that we were, caught red-handed at having a good time. It was all for the best; he wanted to go further with me, and that I couldn't do. I probably would have thrown up in the sand, just like "The Uker" rep I had earned at that summer's first trip to the beach with my friends in lieu of senior prom, and I was just getting started. It was the summer of 1987. Anything was possible.


* https://en.wikipedia.org/wiki/Long_Beach_Island

Games that Suck(ed)

Mission impossible, now ready for your 7 year old hands.

Board games of the past were usually about freaking you out, by proving to you (once again) that being a kid means you have no control over life (just like the game called "Life" that goes on forever), and that your tiny hands can actually do jack-shit because you do not have superior motor control, yet (like your dad who loves to beat kids at their own games). Topping the list for us was "Operation", which has all of the hallmarks of a bullshit game designed by adults who actually hate you at your level.

It had small pieces that went missing the same Christmas morning you excitedly opened it on (probably swallowed by the dog, which means you have to "pooper scoop" for days in the yard to look for it, then wash off the dog crap after you do find it and pick it out of said crap wearing rubber gloves), then when you do have all parts required AND assembled (with your dad who hates holiday mornings with hammers and screws, because he basically escaped from the 'hood by following motor skills to the Navy, which he also hated, and then into white collar work, so this brings back all those bad mornings with his alcoholic parents who drank their pay away and bought no gifts, while you wait for him to angrily burn off his Christmas energy and make your game), a friggin' pair of adult-sized tweezers so other kids can watch your hand shake all over the place with tension and nerves over some stupid game that (to them) has the very fate of the world at stake, with this scary loud alarm that instantly sets your heart racing uncontrollably with a flashing red light that goes off, to let everyone near you know that, yeah, you suck at this game, too. 

So basically, like a really bad, totally dysfunctional, and typically broke-ass working class New York Christmas morning (with or without the hangover,) which me and my bro re-enacted for ourselves and the next generation by working through it one morning at Grandma's place, building an extremely complicated Transformer-like obstacle course with over 100 separate pieces for his totally freaked-out oldest son who doesn't like anything not to work ever, so he stood by us tensely monitoring our progress, alternating crying and occasionally nail-biting within plain sight because my werewolf Malamute unknowingly swept his very large tail all over our work up to that point, thus creating yet another starting point for us to panic over anew.

Up there with the rest of this water torture entered arcade games, designed to rip you off in under 15 seconds flat. Scammers, man. Also, here's a strong "Fuck you! " to the creators of Pacman, Ms. Pacman, and dumb-ass Donkey Kong. Take that! I hated you all >:o( Super Mario Brothers, Intellivision's Pitfall, Tetris, and Wolfenstein may stay with the new computer, but you must go. Go now!

 

Black Eyeliner

"I HATE pichas! I look so weirdly dwarfish and outta praportion  in them! Ugh, she could wayeh a papeh bayag and still look good. I know! I KNOW! I hate huh, too! Don't stand next to huh in pichas!"

By now you know that I grew up in the 80s, right after Punk Rock and New Wave hit it big, and that my family life is less than stellar; the music has changed, but not my peeps. At least, not much. When I was small, we thought my mom's minuscule youngest sister was a kid, because mentally she is. She was 16 when I was born and because she's handicapped, we treated her like a favored pet, because if we didn't, she might come at you with a really sharp knife from the kitchen drawer that she snatched with rare Hobbit-like quickness in under 40 seconds, made odder still by the fact that she is chronically lazy and almost completely physically inept....except in highly important cases of mania, like someone noticing she is very small and unpleasant.

It had some funny moments (like only people who grew up around serious disorders can have), which was driven home for me last week through the animated show "Bob's Burgers", about an eccentric family with a wacky "New Yawk mutha" who has a (surprise, surprise), paranoid tinfoil hat-wearing younger sister who has to hide underneath a tent to go to sleep at night. In her ample spare time, she also creates weird games called "Gail Force Winds" with rules that she can change at anytime, like blowing your game pieces off the board because you're 9 and you don't yet realize that she is clinically schizoid because she acts like a kid you go to school with, and that's why she slept on your grandparent's couch for most of her adult life, with the exception of that time when she had a series of creepy basement apartments, first in my Mom's house (where she was thrown out for competing with my mom's compulsive rules about germs and cleanliness), and some other house in New City...with weird games that had fluctuating rules according to her mental state.

I was fine for awhile growing up, hiding out among a gaggle of grand-kids who are much much stranger than me (some have obvious Autism), but once I hit puberty and started to outgrow her, she went nuts, which was bad enough, because I was the teenager coping with all these changes, like my dad running away with his barely legal secretary, and me losing my childhood forever...but I digress. I began showing markedly different traits than my mom and her short, fat sisters. Like some nightmare fable, they grew wider and uglier from their abusive lifestyles, while I sprung up and grew leaner, with a beautifully perfect oval porcelain face to match, which they noticed sarcastically every time there were two of them in a room against me. Unfortunately for me, I had the body to match, too: perfectly long legs that went on for days to match the rest of my athletic frame, with perfectly proportioned hands and feet to match, beautifully sized and featured extremely well.

After the awkwardness imposed upon me by my mom's poor taste in hair and clothes, my coming out phase was disastrous for me. I grew up to be a supermodel at a normal height, so there would be no giraffe jokes that I could hide behind. I was....well, perfect-looking, and I grew more so with each passing day. I learned how to style my hair really, really well, found a great hairdresser on my own, earned my own money and bought my own clothes, then experimented with makeup that wasn't my mom's cast-off Mary Kay cosmetics, made for someone twice my age. I wasn't wildly punk or new age, but that didn't matter. I was gorgeous and normal, in fact, brilliant at school with lots of friends, hobbies, and interests, which I began not hiding as I blossomed verbally, too.

My handicapped maternal aunt with my paternal grandmother. They knew.

It was under this cloudy sky that I stupidly accepted one of my aunt's summer invites to go to her rented beach house with the younger sister, without my mom or any of my brothers. My mom was cautious about it, and so was I: they are really incompetent. But, we figured, my mom wanted some space and I loved the beach. Who cares, right? They have a house at LBI and I love to swim, which they can't do well. I'd maybe make a few new friends and be at the beach most of the time. It was a complete disaster. The first day out, I was walking with my youngest aunt to the beach when something happened; we passed by a house with two teenage boys about my age playing a board game outside, on the second floor deck of the house their family rented. "Hi!", one of them waved to me from the balcony, "Hey, how are you? What's your name? Do you want to come up and play a game with us?" Maybe! I was thirteen and I really liked boys, but, no, thanks guys, I'm going to the beach with my aunt. Maybe later?

And that was it. She went completely bat-shit insane. She gnashed her teeth in that crazy way she does, baring her large teeth in her huge head that sits on a short squat body, pulling her lips back in a snarl that bares her gums, hissing at me, spitting curses, calling me a slut with black eyeliner and that's why those boys wanted to talk with me, yeah (building up steam), because I look like a WHORE!! in that makeup and that's why I attract attention I shouldn't have and it was all my fault and I look like a slut. She spit out words like daggers, so insultingly out of place to what happened on a mild Jersey Shore beach day that I knew immediately what was happening: she was going to try and destroy me over my beauty, and if she caught me alone, she'd do something really bad to me.

It was such a bad betrayal by a woman who had pledged in front of G-d and family to protect me (she was supposed to be my "godmother"), that I didn't know what to do. My beach day was ruined, which was part of the point, and I was in tears; hysterical, scared, shocked, scalding child's tears, with no responsible adults around: not my mom, or my dad, or my grandparents. No one was there who would help me. I made a scene back at the house anyway, to drive the point home in front of my mom's sisters and my younger cousins, so that they would know it was real, though I knew they'd probably cover their asses and lie about the situation later on. I was bereft. I have never felt so lonely and isolated in all of my life, save for one or two times after that. I was trapped, because I couldn't drive away. There were no phones, so I had to walk by myself to a payphone to call my mom in tears.

She felt terrible, and she knew I was telling the truth. She knows her sisters. We talked about her driving down to pick me up, but I wanted to stick it out. Rockland County is many hours away, and as single mom, her life was hard enough. I calmed down a little bit, wandered around the ice cream hut until sunset, then slowly went back to the house. My cousin talked to me a bit, which helped. He lived with his mom's madness every day, too, and his father had died recently from cancers caused by smoking and alcoholism. He understood, which helped me calm down enough to stick it out for the rest of the vacation, because I had a witness who could testify later, on my behalf.

I didn't talk much for the rest of the summer, and from then on out, I knew my aunt was so sick, that she could kill me in the wrong mood, or if I was alone with her for too long. I turned inward against myself, and after the insults that stung successfully manifested itself directly in my markedly changed behavior, the sisters snapped at fake "slut" slurs as the ammo of choice. I would go on afterwards to have sporadic periods of sex, drugs, and rock n' roll brought on by family madness, fueled by the fact that I might as well try and act like a slut, since I looked like one anyway. I was doomed no matter what I did, which opened the door wide to a series of adult male predators. And to think that I once thought, as a young kid, that I looked like an 80s rock star.

A year later: me and my bro at the beach (I was 15) with a friend and my mom, wearing my "slutty" 80s eyeliner. We did it, man. We won, because we survived. BTW - "quel tan" in this photo, bro! Rock on!

To all my peeps: I told you I wouldn't drop this, because Rockland kids shouldn't punk-out on one another, ever. Here you go, man, for that next time your moms gets drunk and mad at you for breathing at her the "wrong" way, or your dad gets slap happy with his stupid asshole drunk friends when the family BBQ turns bad after nightfall...without the horribly nigthmarish "Annie" foster care bullshit to hurt you even worse. 

I kept my word, didn't I? Yes, I did. Because I want you to make it, guy. I don't want to be the only one at the top anymore, you know? And call the cops in town. They're my friends as grown-ups. You can trust them to help. We went to school together. They know me. Also, in this century, we leave a paper-trail that's mile wide and a mile long until we get the help we need for one another. Do it. This Mommy doesn't lie to cover her ass. (I might to help you, though. Acting chops also help me to not get knifed in a drunken bar fight gone bad, ya dig ;) We have to stick together in this world to make it.

http://www.informationrockland.com/Search.aspx
http://bit.ly/1C2Rrnf 

Hieroglyphics

"Gifting", with strings attached.

For years, I've doodled little shapes and swirly glyphs until they covered a page. It was something I typically did during a boring class, or in attendance at yet another dopey meeting for people at much slower speeds, so there was no point in me paying attention with the full force of my consciousness. Of course, I'd learn later on that's exactly what you're supposed to do with massive amounts of mostly useless data: use other parts of your brain to take in information, which has the unfortunate effect of giving my a memory recall so profound, it's like a party trick for me now: http://www.huffingtonpost.com/2015/06/12/doodling-benefits_n_7572182.html.

But they sometimes took on a deeper meaning to the people around me. One year, my former RISD classmate turned housemate used them to make fun Christmas cards."They're like wrapping paper", she said dismissively to me, and then took them to her day job to work on and show her co-workers, which was weird, since she was so paranoid about people ripping her off without getting paid. I didn't care, because she photocopied them onto colored paper and colored in the Christmas tree, so I used them for cards that year, too.

The pens bled through, creating a constellation of dots on the other side.

Sometimes people noticed me drawing in meetings, like they had in school, but given my chosen profession(s), it hardly seemed worth mentioning to an artist/designer like me, so no one did. Until the year I began working for a small Jewish family that had great book packaging deals with the retail conglomerate Barnes & Noble. It put a whole new focus on me, as their star designer for a major American retailer. People jumped out of their skin around me, with their claws fully out, just like in art school.

They had a dysfunctional receptionist ("No, I'm an 'Office Manager'", and then she'd tell everyone around her that she didn't do office work), who clung to me voraciously, with the desperation of the drowning. She left me alone for awhile, until she got her "best friend" from high school fired, and then she turned her obsessive focus elsewhere, which naturally fell on me, the shiniest object in the room. I knew she was mentally ill because of her twitchy mannerisms and oddly disjointed way of speaking, plus she interrupted my work in the middle of a major deadline, which is the largest taboo we have in my industry. 

Magical dancing snowflakes, forever etched into my mind.

My look registered such shock at her brute assertion into my face for attention (over a banal relationship thing or another email about her poor socialization skills), that she immediately blurted "Oh, I'm bipolar" because it was that out of place for someone to do that to me at that point in my career. She promptly tried to retract it later on, when she turned on me (which I knew she would), after embodying every single facet of her original medical diagnosis many times over, for 10+ years on the job. After many a run-in with the psycho co-worker, I laid some serious ground rules with her in that first intimate conversation about personal matters, which she promised to abide by, but of course, couldn't fulfill.

Anyway, the owner was pushing me hard to befriend her, with a twinkle in his eye, because he used her gossip like a seeing eye dog would, which was fine by me. I got coveted face-out shelf space to promote my imprint (which is actually part of the job), and he could pick her straw head about whatever weirdo thing he wanted to. I knew the game of "Telephone" like a pro. And so we hung out a few times after work, but she couldn't get the necessary dirt she wanted to have as leverage over me with my genuine after-hours bonhomie.

Windmill toys, like the ones we played with as children.

Besides that, she had briefly attended F.I.T. for painting, and it's also part of my job to mentor junior design staff. She could never be a designer because of her learning impairments, but she could do basic illustration work, and so I allowed her to grow closer to me, while I was the one with the authority to careful demarcate appropriate adult boundaries. I still needed good press at the time, and her dull PR about me would help me buoy up a imprint that had lay fallow, so I could have time to turn it into a major moneymaker for the company.

It worked like a charm. She sung like a canary to anyone who would listen to her, and I got to pull a very lucrative project out of the fire, to infamous success. And, I did really like any person with creative aspirations (as I've been taught to do) who want to learn and do better, which she did seem to have, in spurts that came and went with the ups-and-downs of her serious brain disorder. It was really therapy for her, but that was fine, too: RISD masters in degree programs like Art Therapy and Art Education. The better I could break through to the rough spots on her mind, the better I got at my job.

You're a major star, baby!

I used her as a training tool, to better my conversations with a staff that was sub par for big city publishing in the tri-state area, and that was also part of my job, because the owner of the company told me that on my very first review. And so I signed concepts like "books" and "design" and "art" over and over into their hands, realizing that his employees dysfunctions mirrored those of his family, and not me or mine, because I met a lot of his family during my employ.

Their admin used me to gain artistic insight into creative genius, and I used her as a mouthpiece to telegraph whatever aspect of me that I felt the rest of the staff needed to know. She gained inspiration from me and my labors, which is also very typical for someone like me, too. I didn't mind. As I lectured to her at the reception desk, I could feel the entire company leaning in to listen to me, which was the gold in the bank that helped me to gain confidence and break through. I had an entire audience in the palm of my hand, every single day of my life, which has naturally led me here to you all.

A screw loose or two, or is it three, or...how many more?!

She was genuine in her admiration of me, as I was skillful in schooling her with the rest of the Special Needs adults who worked in the fringes of media. The first year of our acquaintance, she gave me a notebook, with the requisite hidden agenda attached: why don't you draw something we can sell to make money off of? I did no such fucking thing, because I was already making major bank that they could coattail off of, but I always enjoyed doodling. She once asked me what my scribblings meant, and I hesitated....who cares? But, as she eagerly awaited my answer, I gave her the most honest reply I could think of at the time: "I don't know....it doesn't really matter to me what they are. I call them 'hieroglyphics'".

A Keith Haring-inspired paramecium dancing in primordial fluid.

And now here we are years later, on a spiritual journey that has brought me back to very essence of my family's historical and cultural roots, buried deep in my DNA, but still very, very real: that time from our most sacred human area in a fertile river valley, tied forever to the lands of Ancient Mesopotamia, then Egypt, then the Greco-Roman era, onto modern Normans (be they Italian, Irish, or French-Swiss), and then my tribe that turned right and went east to India, walking (or sledding) over the Bering Land Bridge with our ancient dogs, to finally meet a boat of French men from Western Europe on the Americas most eastern shores, men who married the M'ikMak squaws from Prince Edward Island and Nova Scotia, people who drew the cuneiform shapes that resembled the ancient language for those of us who have always loyally worshipped The Great Spirit. 

A "commercial artist", indeed.

https://upload.wikimedia.org/wikipedia/commons/0/0e/Mikmaq_sample_%28ave_Maria%29.jpg

 

RISD’s Ongoing Mission

The mission of Rhode Island School of Design, through its college and museum, is to educate its students and the public in the creation and appreciation of works of art and design, to discover and transmit knowledge and to make lasting contributions to a global society through critical thinking, scholarship and innovation.

Original Mission Statement
On March 22, 1877, the Rhode Island General Assembly ratified “An Act to Incorporate the Rhode Island School of Design.” The corporation, comprised of a forward-thinking group of men and women, artists and business leaders, educators and politicians, was formed “for the purpose of aiding in the cultivation of the arts of design.” The original bylaws set forth the following key objectives for RISD:

First. The instruction of artisans in drawing, painting, modeling, and designing, that they may successfully apply the principles of Art to the requirements of trade and manufacture.

Second. The systematic training of students in the practice of Art, in order that they may understand its principles, give instruction to others, or become artists.

Third. The general advancement of public Art Education, by the exhibition of works of Art and of Art school studies, and by lectures on Art.

http://www.risd.edu/About/History_Mission_Governance/Mission/

Piano Jimmy

"Piano Jimmy" and Eunice, back in the day.

By now you know that my dad is a "one of a kind" sumthin' you don't wanna mess with. It's disconcerting for newcomers and out-of-towners sometimes. White, with flava, tho?! How'd you do that? How'd that happen to y'all? Yeah, I know. It don't wash off me neither, yo.

Well, squirrel friends, it's called "Old School", and it ain't exactly learned on your particular mean street. Yeah, those streets are mine, too. No, amigo, it's way back time. You see, when I was a kid, my father didn't even know where his father was, or what name he used, because my Ole Grandad didn't just hand out info like that, not even to family people, because in my line, family might be the first fellow who do you wrong, know what I mean?

Yeah, you do. It's like that with my folk, and so it is with me, too. 
Oh, I can keep a line on 'em any time I want to, because this New York-grown girl knows how to keep a light touch on her folk without putting too much pressure on 'em (because they sure as heck can't handle that, yo), but I didn't learn my all my skills from that paternal girl you see next to big Jimmy, mes amis.

No, my Grandma checked out young, too. But what my dad did have for me growing up was a little black book, the kind that he showed me once in awhile, because he taught me where to find it in his closet. 
It was in the front pocket of one of his suit jackets that I gathered for my mom to go the dry cleaners every week for his Mad Man-style job. 

You know, the kind tailored at "Wallach's" in the old Nanuet mall, 
made just for him off them measurements cards in the leather-chaired back of the store, girl. Yeah, but that was just another one of my many, many jobs, too, along with gatherin' up the wash, takin' down them clothes pinned to the line before it storms outside...there ain't nuthin' this ole girl don't know by now, feel me on it?

'Course you do, 'cause you been through it, too. And that's how me and my people did it: sometimes poorly, but always with great heart and soul, because we managed to survive without entirely cutting the cord to the mainland, you know? 

When we wanted to get a bead on our old Acadian boy, the one who knew how to play a reel or two for you at midnight on the "piana", drunk but still way betta than you'd ever be, we knew what to do. 

You'd go get lil' Jimmy's black book and look for "J", because that's where it was written for me to see: Piano Jimmy, under the letter "J" in my dad's old black phone book.

Come on down and see me when you want to, mes gens. I ain't forgot them old ways any day of the week we got, at any time that's good. "Happy Father's Day" to you, as well.

Crack the Whip

Lately I've been finding out how similar my experiences were to other alumni at the world's hardest school, through our magazine RISDXYZ (thanks to Amanda Blum for writing about it, in a piece called "Submission": http://issuu.com/risd/docs/risdxyz_fall-winter_2014-15?e=0/10291099), but at the time, we were deeply in "survival mode". I used to characterize my time there as "Art Boot Camp", because the purpose of our training was to weed out the weak and insane, leaving only the best and strongest among us to excel. And that's the point behind any really difficult process; it's similar to my martial arts training with its' belt ranking system, which is similar in tone to the military, and the same intense vibe as my former ballet studio. We all wanted to win at our chosen trade(s) and profession(s).

In that teeming cocktail of teenage insecurities and intensive learning is a road about a mile wide that goes right into the heart and soul of who you are as an artist/scholar/athlete/scientist/engineer/author/thinker. It's supposed to develop the strength and toughness that's necessary for us to go on. But not all of us make it. Just ask any Navy Seal: their C.O.'s tell them right beforehand that's the day's exercise is called "You Not Breathing" (thanks to Marcus Luttrell with Patrick Robinson for that scene from their movie adaptation's first few minutes, of actual Navy SEAL training footage).

We did exercises called "Drawing with a Blindfold" or "Figure Drawing from Memorization to a 5-Minute Timed Clock With Your Back Turned to the Model"; you know, the kind of stuff that gives most students the "heebee-jeebees". That's the actual phrase one of my former housemates from R.I.S.D used to describe how she felt about her experience, and what her time there brings about nowadays, like a shell-shocked soldier struggling with PTSD. She went to our school for "Fashion Design", so she could be the real-life version of a Bryant Park show during "Fashion Week" in NYC, or a leading contestant on a major show like "Project Runway". Guess what she does now? She surfs, repairs wet-suits, and knits the same wool hat over and over and over again. Yeah, like, that bad.

Another rich suburban kid I knew, whose F.O.B. Armenian parents bought him everything he could ever desire, now works for a big factory studio (run by someone else), where he sits at one desk among many, compulsively animating the exact same robot car and/or booby anime girl with rabbit hybrid ears for his fetish fans and addicted gamers every single day, much like a dysfunctional business manager I worked with who HAD TO eat the exact same turkey sandwich on whole wheat bread every single day, or he would freak out.

My "fashionista" seamstress friend had a nervous breakdown over "my" unwashed dishes in the common kitchen sink during my RISD experience; you know, when I had all studio classes to complete AND three part-time jobs. In truth, they were a combination of all of our dishes in the house, but my cleaning compulsive mother had told her to "teach me how to clean", even though I've done every house chore known for her all my life. I'm talking about a "gnashing-teeth, hysterical tears with hair-pulling" type of tantrum over dishes, kids. My animation friend couldn't handle the all-day wait for "The Cable Guy" while living in his nice, new, and very white Brooklyn Heights apartment (all expenses paid) that his parents gave him back then. They also wouldn't have been able to live or survive in NYC if it wasn't for me, but did they ever tell me that? Uh, no: http://mariedoucette.blogspot.com/2014/12/times-square.html.

And that was part of the challenge: surviving the little "psyche-out" head games and petty insecurities of the kids around you who fell down hard and didn't get back up. It wasn't just the students either. Wildly, obviously inept, mad teachers had open love affairs with their underage students, maybe even in violation of the state's minority sex laws, in clear view of the administration. It was somehow worse than my SUNY school as a violation of trust, because I paid for my education through my blood, sweat, and tears, and a diploma from this prestigious school could seal my fate among the elite for all times.

They knew that, and I got blacklisted with some other working class friends of mine for wanting a basic computer class as a primer for the real world, where I knew I had to work to survive and pay off my debt. Like, right away. There was much more at stake for me, because I had (and have) no safety net in my life but me, and so I risked much more by speaking out than my cowardly classmates.

It's what me and my childhood friends talked about (Hi, Donnel!), on all those night and afternoons when our parents were simply gone from our lives: how to go out into the world to make a difference, permanently. It's what my friends since Felix V. Festa Junior High remembered about me, as did all my friends from elementary school through to high school: leave no man, woman, or child behind. 

And so I give my service in honor of you today, and every day after, because I said I would. Our suffering hasn't been in vain.

http://becauseisaidiwould.com/