Genius isn't something people enjoy, like real beauty that frightens without airbrushing or makeup applied. You can't fake it, and for people who lie their way through life, authenticity is very scary. I never understood the weird tactic behind pretending to know more than you do, because it's a viciously anti-scholarly mindset to have about life and the world. Curiosity is the driving force behind intellectualism, so someone who hides out daily from reality represents crass ignorance to an openly inquiring mind. And so, with no surprise, I wasn't welcomed into the arms of the publishing industry by anyone besides my mentor and her supervising V.P.
Even though we were transparent in our agenda to have me apprentice first in Production Management before I moved upstairs to the Art Department, it was considered such a huge intellectual leap to make at the time, that we were greeted with suspicion from the very start of my employment. Just like the limited scholarship that represented a typical S.U.N.Y student in the 80s, destined to spend a lifetime working in a series of barren offices, R.I.S.D. students were often functionally illiterate, unable to write even the simplest of essays in their native English language, so I'd seen limited brain function before I hit the big hallways of Academia.
Still, it was shocking. Some departments, like Production Editorial, hired English Lit majors from the Ivy League, drawing heavily from the pools of Brown, Yale, and Harvard, and those were just the folks who managed copy-editing and proofreading within the workflow. From someone like me, it was downright revolutionary. I did business like a non-artist, drew like a professional, and thought with any side of my brain I could tap into to get the job done, which was in direct contrast to the big bestselling "Left Brain/Right Brain" publishing hype.
People felt comfortable with the darkly brooding hipster stereotype who preferred sitting alone in a corner doing highly repetitive layouts, but that's not an Art Director, which is what I aspired to back in the day. Conversely, the short bespeckled editorial assistant with the flood pants, thickly rimmed glasses, and bad dandruff fit easily into their preconceived expectations about what "intelligence" looks like, like bad casting for every cliched Hollywood movie you've ever seen: beautiful blond bombshell with the charmingly absent-minded but kind-hearted nutty professor. Where did I fit in? Mostly, they hated me.
And so began my real office career involving staving off covert attacks done on the sly, to delay the inevitable firing that marks the deeply insecure incompetent working in an office of actual American scholars. We spoke and wrote in an English that was frightening to the uneducated and unknowns in our very own houses. It was shockingly ignorant to behold, because we made the stuff we sold, which is one of the clearest, direct lines to any serious business transaction. More days were spent clearing houses of the weak than in pursuit of the labor behind making books, which is one of the most complex commercial manufacturing processes in the worlds of art and design.
People whispered in the wide stairwells of the Flatiron Building (a historical landmark) that I was a "spy", which made me laugh. For who, exactly? Production? Why would the VP and the Senior Production Manager want me to ask questions for them? That's what they did every day. For the book cover designers?! They couldn't even attend weekly production meetings without a liaison like me involved, living in some constant pretend fear about book manufacturing schedules and deadlines, which is like an accountant who's afraid of balancing his or her checkbook. Why that? It was utterly bizarre in its limitations to me, but that was the vacuum I filled that was so badly needed during the technological shift to desktop publishing.
One of the quickest managerial stints at SMP was a certain penguin-identifying Design Manager with poor book design skills but a fussily meticulous eye for administration, efficiency, and bureaucracy, which again, was something only businesspeople could apparently perform without having a nervous breakdown like any true designer would. Oh, the pressure to file! So hard! It was pure bullshit to me, but that's how they angled their way as a department out of "boring office work" to stick it onto me, because I "didn't know computers" or design according to the rigid New York school kids who were trained to be one-trick ponies, again, about as far from a scientifically-informed scholar like a da Vinci-based RISDoid as possible, but that's exactly why I excelled so far ahead of my class.
She rode me temporarily as a target to do dull shit she called "organizing" the enfants terrible of the art department, who were (and still are) a group of learning-disordered people who can only handle so much mentally, but that didn't stop their fearful marginalization of me anyway. It was nothing new. Within weeks of that crazy skinny bitch writing me up for (get this) READING on the job, a big art/design department "no-no" apparently, she quickly went downhill into psychosomatic back pain so bad, the company had a crane lift a couch into her special office so she could lie down between bouts of her pain. That's who they chose to be their "manager". She flew back to her old imprint within months after I quit for less crazy-filled pastures (which worked!), and she's stayed there ever since.
During her entirely panicked, whirlwind stewardship of a multi-billion dollar publishing company with strong international ties to Britain and now Germany (after a few carefully leveraged corporate buy-outs), not one higher-up ever thought to inquire whether or not one of our competitors would actually send over a genuine corporate spy over to us, for the real deal of sneaking around without getting caught, choosing instead to center their hysterical drama around one particular Acadian Métis girl who could give a fuck about their petty head games, because here I sit, and there you are in the exact same seat. Still. Spy, indeed.
P.S. - I just fucking looked up Jaye's suicide obit online, SMP'ers, another fucking "Design Manager" back then!!! You hateful humps. You owe me.
