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| Ah, that "Q" is perfection. Well done! |
I've been a reader for so long, I don't actually remember when I couldn't read. I know I was a very early reader, about 2 or 3 years old, and so was my oldest brother. My mother said he taught himself to read The New York Times so he could check the Mets score, and that certainly may be true.
I know I attended a pre-K reading class for toddlers at the local library, because I begged my parents to take me to school so I could read, and that was the closest they could find to nursery school before
I went to an actual school, during the brief year we lived in rural Pennsylvania after leaving the city, before settling down in the Hudson River region.
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| Discovery and a new chapter. |
It's hard for me to describe an experience I do so fluently; it's almost a subconscious thing at this point. I take in information so quickly visually, that I see things way before the lay person can. I've likened in to being an expert swimmer dipping and swirling through the clearest, warmest tropical waters (and I am that, too). Reading is a feeling so sensuous and fluid, few hobbies can replicate that kind of pleasure for me, and I know the same is true for other hardcore readers.
We occasionally speak between nose dives.
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| Oh, I've designed flaps like this before. |
Few hobbies create the kind of erudition and experience that bibliophiles have, with the exceptions of medical fields and clergy.
We empathize immediately with the writer, because as soon as we read words, we're right there with the author. Some of us are so adept at it, we work at it professionally through publishing and media. Unlike a purely visual artist, I am also a writer and reader: the harmonious blend of a variety of highly skilled sets that transcend majors taught at the leading universities.
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| Lots of decorative elements and ink coverage. Some gaps in typesetting. |
And so it is that I can talk with ease to an advanced physicist at their level, because I read their words when I design books for the students majoring in their curriculum. I sing along perfectly to Ella Fitzgerald while I riff through a series of graphics that vibe off one another, like a flutist times himself to a jazz pianist, either in the planned syncopation of an orchestration or the more advanced styling of an abstract expressionist who goes off on a tangent.
To find someone who can follow along like that is the rarest of the rare, and just like the books we collect, so too are the odd ducks of the creative world who finally find their intellectual homes within the great literary houses of the world: those weird combinations of dancer, musician, photographer, model, writer, reader, designer, engineer, artist, and muse, because we are all of those things, and so much more. Open a book, and come find us. We'll be there between the vanilla-scented pages of a hundred year old volume and the near-constant flickering of a computer screen. See you soon.
